Neither of you get to complain about my overdramatics ever again.
[Alucard says it with a little bit of warmth. As much as he can dare for this situation. But that is all, because as over poetic as Leon is, there's too much aching familarity in the rest. They're all keenly aware of it.
The idea of this Matron wearing the form of others though, that sets Alucard's teeth on edge. Not because of the cruelty of the act it forces (an act both of them have committed now), but because he knows exactly how he could be gotten with such a ruse. Worse. His father would too.
Now isn't the time for that thought. Practicality is the rule of the day, and Alucard listens as Trevor speaks, carefully trying to picture the backstage areas in his mind.]
Let's begin with the area behind the stage. It will likely have the easiest exits if we must make use of them. Take the quarters last, those would be the hardest to escape from, and the lowest point if I had to guess.
[And if they're going backstage, then fuck it. He's walking on the cursed thing for spite. Down the aisles Alucard goes, then hauls himself up onto the performance space. The wood underfoot is in good condition, no creaks or groans or complaints.]
no subject
[Alucard says it with a little bit of warmth. As much as he can dare for this situation. But that is all, because as over poetic as Leon is, there's too much aching familarity in the rest. They're all keenly aware of it.
The idea of this Matron wearing the form of others though, that sets Alucard's teeth on edge. Not because of the cruelty of the act it forces (an act both of them have committed now), but because he knows exactly how he could be gotten with such a ruse. Worse. His father would too.
Now isn't the time for that thought. Practicality is the rule of the day, and Alucard listens as Trevor speaks, carefully trying to picture the backstage areas in his mind.]
Let's begin with the area behind the stage. It will likely have the easiest exits if we must make use of them. Take the quarters last, those would be the hardest to escape from, and the lowest point if I had to guess.
[And if they're going backstage, then fuck it. He's walking on the cursed thing for spite. Down the aisles Alucard goes, then hauls himself up onto the performance space. The wood underfoot is in good condition, no creaks or groans or complaints.]