You continue to show a remarkable grasp on your composure. Which I think counts as resistance, when I want to make you forget even your own name.
[They work well like this, herself and Trevor. There's an easy, natural rhythm to it — he acts, and she speaks, and they tie up their vampire on two fronts instead of just one. He can't focus too much on what Sypha is saying while Trevor's hands are skimming across his skin; he can't fixate too strongly on the tactile sensations Trevor is creating while Sypha keeps him tangled in the threads of conversation.
It's always good to have a firm plan of attack, when going up against a vampire. Disorient them, distract them. And when Alucard tips over the edge, they'll support him.]
Nor have you made any of those sounds that I like so much, yet. Tsk, tsk.
no subject
[They work well like this, herself and Trevor. There's an easy, natural rhythm to it — he acts, and she speaks, and they tie up their vampire on two fronts instead of just one. He can't focus too much on what Sypha is saying while Trevor's hands are skimming across his skin; he can't fixate too strongly on the tactile sensations Trevor is creating while Sypha keeps him tangled in the threads of conversation.
It's always good to have a firm plan of attack, when going up against a vampire. Disorient them, distract them. And when Alucard tips over the edge, they'll support him.]
Nor have you made any of those sounds that I like so much, yet. Tsk, tsk.