[Granted, the perk to having Alucard opt to feed on the deer meant that, well, once they were sufficiently drained of blood, there was a lot of good meat left over for them to consume on their way back. But they make it home, and slowly but surely Trevor's concussion eases, and Sypha's exhaustion is mitigated by relaxation and repast. The sight of the castle in the distance proves to be a welcome one, and soon enough they're putting up the horses and leaving the wagon and collapsing inside for the blessed relief of just being home.
The part that's almost funny about the way she eventually notices Alucard's moody absences is that she actually picks up on them because of Trevor. Not because he points them out, no, but because she starts to realize that the balance of time she spends between the two of them is tilting toward Trevor, just by natural virtue of the fact that he's around and available more. And that soon lends itself to curiosity of where Alucard is getting off to and what's keeping him so long when he goes, until finally comes the day he's in the lab reshelving books and she wanders in to find him.
Trevor is napping, for once, and up until this point she'd been cuddled up with him. But now she comes downstairs with her hair tousled and a blanket wrapped around her, and it's tricky to make out from the way the blanket is draped, but the little flashes of bare leg underneath are more than enough to suggest she's still wearing whatever shirt of Alucard's she'd stolen to sleep in, not her usual skirt and shirt.]
Oh, you're in here. I thought you'd gone down to the Hold.
[Presumably he had, but now here he is.]
The part that's almost funny about the way she eventually notices Alucard's moody absences is that she actually picks up on them because of Trevor. Not because he points them out, no, but because she starts to realize that the balance of time she spends between the two of them is tilting toward Trevor, just by natural virtue of the fact that he's around and available more. And that soon lends itself to curiosity of where Alucard is getting off to and what's keeping him so long when he goes, until finally comes the day he's in the lab reshelving books and she wanders in to find him.
Trevor is napping, for once, and up until this point she'd been cuddled up with him. But now she comes downstairs with her hair tousled and a blanket wrapped around her, and it's tricky to make out from the way the blanket is draped, but the little flashes of bare leg underneath are more than enough to suggest she's still wearing whatever shirt of Alucard's she'd stolen to sleep in, not her usual skirt and shirt.]
Oh, you're in here. I thought you'd gone down to the Hold.
[Presumably he had, but now here he is.]
It's colder out here than it was in bed, which is where I was a minute ago.
[In short: she is taking the bed's heat with her and no one can stop her. She is a warmth thief. Snuggles are her dominion.]
If you hurry, I'll share my blanket with you.
[In short: she is taking the bed's heat with her and no one can stop her. She is a warmth thief. Snuggles are her dominion.]
If you hurry, I'll share my blanket with you.
What is inside it? If it's another book of penis spells, perhaps you can't find the space because it belongs under Trevor's bed.
[It's an obvious attempt at levity, but the point isn't to be subtle. She pulls the blankets a little more closely around herself — not unlike the way her Speaker robes usually gather around her shoulders, really — and wanders over by him, as if expecting him to show her a look inside the book.]
[It's an obvious attempt at levity, but the point isn't to be subtle. She pulls the blankets a little more closely around herself — not unlike the way her Speaker robes usually gather around her shoulders, really — and wanders over by him, as if expecting him to show her a look inside the book.]
...It's one of your mother's books.
[She's come to learn that there are very few shes in Alucard's life, and only one that prompts the sort of sigh that he'd just made there. She herself warrants a different kind of sigh, one that's a touch fonder and more heavy with exasperation. The ones reserved for his mother are always very quiet, and very sad.]
She was a scholar in her own right, wasn't she? There are whole shelves of her journals in here. And they're all so...
[She pauses a moment, looking for the right words for her sentiment.]
...She wrote them like they were meant to be read. Not like some of the Belmonts' books, that are just page after page of facts and information. Hers are written to teach.
[She's come to learn that there are very few shes in Alucard's life, and only one that prompts the sort of sigh that he'd just made there. She herself warrants a different kind of sigh, one that's a touch fonder and more heavy with exasperation. The ones reserved for his mother are always very quiet, and very sad.]
She was a scholar in her own right, wasn't she? There are whole shelves of her journals in here. And they're all so...
[She pauses a moment, looking for the right words for her sentiment.]
...She wrote them like they were meant to be read. Not like some of the Belmonts' books, that are just page after page of facts and information. Hers are written to teach.
[She does, in fact, trot right along with him, trailing behind him a few feet like a snuggly and particularly eager duckling.]
It must be hard to come in here, when so much of this...
[She doesn't finish the thought, however. They both know what she was thinking, and at second blush she wonders whether it's really a notion she should've voiced in the first place.]
...Witches...
[So she opts for just echoing him, instead.]
It must be hard to come in here, when so much of this...
[She doesn't finish the thought, however. They both know what she was thinking, and at second blush she wonders whether it's really a notion she should've voiced in the first place.]
...Witches...
[So she opts for just echoing him, instead.]
[And that's a good cue, perhaps, for Sypha to simply...walk right into the back of him, blanket and all, and unwrap it just enough to gather him into its folds with her as she embraces him from behind. She's quite warm, despite her bare feet (the heated floors help a great deal with that), and she rests her cheek between his shoulderblades as she draws him in close and just holds him.]
You've been remembering her.
[It's a softer, kinder way of hinting at the trauma he's clearly been reeling from. Remembering her is a gentler way of saying he's been drawing ugly parallels.]
Tell me?
You've been remembering her.
[It's a softer, kinder way of hinting at the trauma he's clearly been reeling from. Remembering her is a gentler way of saying he's been drawing ugly parallels.]
Tell me?
I've wanted to tell you something for a while now, but I could never find the right time. I don't know if this is the right time, either, but...
[She draws him a little closer, holding him, feeling his fingers weave through the spaces between hers.]
Someday, if you can allow it, I wish you would tell me stories of her. The ones that aren't in her books. So that I can help save them, too.
[And maybe, because it would lift that subconscious burden that rests on Alucard, too — left alone to be the sole keeper of his mother's memory, along with her legacy.]
I want to know about her, and about you. Trevor and I...we've always only seen the worst of it. I would like to know the best of it, too.
[She draws him a little closer, holding him, feeling his fingers weave through the spaces between hers.]
Someday, if you can allow it, I wish you would tell me stories of her. The ones that aren't in her books. So that I can help save them, too.
[And maybe, because it would lift that subconscious burden that rests on Alucard, too — left alone to be the sole keeper of his mother's memory, along with her legacy.]
I want to know about her, and about you. Trevor and I...we've always only seen the worst of it. I would like to know the best of it, too.
...That I knew, already. Because you adore me, too.
[She presses her nose against his back, nudging against the long subtle ridge of his spine, and tightens her arms around him right back.]
When you stand in here, among her books and her tools...I can tell how much she loved you. Because I think you learned to love because of how she loved you first.
[She presses her nose against his back, nudging against the long subtle ridge of his spine, and tightens her arms around him right back.]
When you stand in here, among her books and her tools...I can tell how much she loved you. Because I think you learned to love because of how she loved you first.
[There are no words, in any language, that could possibly express the depth of her feelings for him right now. There's nothing to convey how deeply she loves him, how desperately she wishes there were any means in the world of easing his pain. How she wishes the world were not so terribly unfair, and senseless, and cruel. How she wishes she could give him his mother back, and the family that loved him so much.
All she can do at this point is to hold him, and so she does. Again, she has strength enough to support him. She keeps her arms around him, keeps herself pressed flush up against him, so he can't possibly lose sight of the fact that she's here with him, and that he still has a family who loves him desperately, even if it isn't the one he yearns for.]
And you are still loved. So, so much.
All she can do at this point is to hold him, and so she does. Again, she has strength enough to support him. She keeps her arms around him, keeps herself pressed flush up against him, so he can't possibly lose sight of the fact that she's here with him, and that he still has a family who loves him desperately, even if it isn't the one he yearns for.]
And you are still loved. So, so much.
[She lets him cry, offering him the comfort of plausible denial by staying carefully behind him so that he doesn't have to show her his face, and when he turns around she keeps her eyes closed as he gravitates into her, lets her wrap her arms around him again. It's a little bit gawky, the way he has to bend to fit himself up against her neck, but she would stand on her toes for him for a week without flinching if it were to ease his pain even a fraction, and her focus is solely on making sure he's grounded and anchored as he finds his catharsis.]
You never had the chance to mourn her. Everything that's happened...it came so fast, so soon after.
[And even now, after vanquishing Dracula in this very castle, they've still kept busy, kept moving. Always moving ahead, never pausing to allow all of this to rise up to the surface on its own.]
We can make something for her. For both of them. A memorial.
You never had the chance to mourn her. Everything that's happened...it came so fast, so soon after.
[And even now, after vanquishing Dracula in this very castle, they've still kept busy, kept moving. Always moving ahead, never pausing to allow all of this to rise up to the surface on its own.]
We can make something for her. For both of them. A memorial.
[Of course it does. Of course he would have, her Alucard with his soft heart and his deep, profound loneliness.]
Show it to me? When you're ready.
[Only when he's ready, and not a second before. There's no pressing him through his anguish, no hurrying him along to its conclusion. There's only staying by his side while he processes it, loving him and giving him the chance he needs to cry.]
Until then, I am not going anywhere. I'm here with you.
Show it to me? When you're ready.
[Only when he's ready, and not a second before. There's no pressing him through his anguish, no hurrying him along to its conclusion. There's only staying by his side while he processes it, loving him and giving him the chance he needs to cry.]
Until then, I am not going anywhere. I'm here with you.
Just one chair?
[She quips, soft but lightly, as she finds a lock of his hair and weaves it through the spaces between her fingers.]
I like the sound of that.
[She quips, soft but lightly, as she finds a lock of his hair and weaves it through the spaces between her fingers.]
I like the sound of that.

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