[Good job, Trevor, you did it, you correctly identified one of her professional life skills. His laughter is absolutely infectious, though, and she has to take a moment out from being kissed so that the giggling has a chance to get free before she moves back in again to resume it.]
Keep doing that voice. I like it.
[It's HORRIBLE. This time, when her hand goes to the hair at the back of his head, it's a little less gentle, and doesn't so much stroke as twist a handful of his hair between her fingers, using it as leverage to get him to bare more of his throat and arch up his chest to make it easier for her to get to.]
Time to feel my bite, Trevor Belmont.
[Like him, she starts slow, kissing first where she intends to put her mark so that he can feel it coming, then gradually adding teeth. At first it's only a scrape; the next time, they catch and release; the next, they catch and hold, adding pressure until she can feel how the edges of her teeth are starting to make marks in his skin.]
no subject
Keep doing that voice. I like it.
[It's HORRIBLE. This time, when her hand goes to the hair at the back of his head, it's a little less gentle, and doesn't so much stroke as twist a handful of his hair between her fingers, using it as leverage to get him to bare more of his throat and arch up his chest to make it easier for her to get to.]
Time to feel my bite, Trevor Belmont.
[Like him, she starts slow, kissing first where she intends to put her mark so that he can feel it coming, then gradually adding teeth. At first it's only a scrape; the next time, they catch and release; the next, they catch and hold, adding pressure until she can feel how the edges of her teeth are starting to make marks in his skin.]