It's not that she never does, or that she's somehow forbidden from setting foot inside, but in some ways it's as though there is an unspoken understanding that the office...isn't for her, on some level. Because the office is for work, and work is what Alucard and Trevor do; work is where Trevor's influence is most needed, and Alucard's will is hardened from theory into practice. Her influence is about softening them both back to themselves when they've forged themselves into weapons, and that's not what this office is meant for. This office is for the ugliest parts of all of them, and they keep her in particular away from it however they can.
So she knows, already, when she's called down to it, that it's not going to be a good conversation. But Alucard wants her there, and so she comes without hesitation.]
...You've been crying.
[His eyes are red, and not in the vampire way. He looks miserable, and it makes her heart ache.]
no subject
It's not that she never does, or that she's somehow forbidden from setting foot inside, but in some ways it's as though there is an unspoken understanding that the office...isn't for her, on some level. Because the office is for work, and work is what Alucard and Trevor do; work is where Trevor's influence is most needed, and Alucard's will is hardened from theory into practice. Her influence is about softening them both back to themselves when they've forged themselves into weapons, and that's not what this office is meant for. This office is for the ugliest parts of all of them, and they keep her in particular away from it however they can.
So she knows, already, when she's called down to it, that it's not going to be a good conversation. But Alucard wants her there, and so she comes without hesitation.]
...You've been crying.
[His eyes are red, and not in the vampire way. He looks miserable, and it makes her heart ache.]