[Despite the agitated pacing Vanessa is listening, is watching him and processing the story that he is telling her. She relates and reacts very deeply at the fate of his mother and for a moment she turns away from him and the smoldering fireplace. Letting her mind fill with the horrific sights and sounds of Joan's death at the hands of the small-minded savages of the moor.
Vanessa's turn back toward Mr. Tepes is slow, limbs slow and numb with residual pain, loss in the face of this uncertainty. His words are plain, personal, but in this world of dark threat it could simply be a ruse. For what reason she hasn't a clue but the last few months have been nothing but chaos and reactive flailing from her and her allies. It makes her wary and suspicious and that shows plainly on her drawn face as she moves back toward him and the seat across from his own.]
I am sorry to hear about your mother. I too lost someone close to my heart because of the ignorance of men of power. Such women possess powers to change the soul of a person. To fill them with such beliefs and strengths. I can see how she could make such an impression on your views of humanity but I must verify.
[Vanessa will not apologize for this need. Even as she walks the fine line of being sympathetic of his loss, his need for guarded personal information. She uncurls fingers and offers a steady hand to him.]
Allow me to read you. To see this part of which you speak.
Vanessa's turn back toward Mr. Tepes is slow, limbs slow and numb with residual pain, loss in the face of this uncertainty. His words are plain, personal, but in this world of dark threat it could simply be a ruse. For what reason she hasn't a clue but the last few months have been nothing but chaos and reactive flailing from her and her allies. It makes her wary and suspicious and that shows plainly on her drawn face as she moves back toward him and the seat across from his own.]
I am sorry to hear about your mother. I too lost someone close to my heart because of the ignorance of men of power. Such women possess powers to change the soul of a person. To fill them with such beliefs and strengths. I can see how she could make such an impression on your views of humanity but I must verify.
[Vanessa will not apologize for this need. Even as she walks the fine line of being sympathetic of his loss, his need for guarded personal information. She uncurls fingers and offers a steady hand to him.]
Allow me to read you. To see this part of which you speak.
[ The vines grow thicker as he digs down. More numerous, until it becomes clear even through the small hole that this, whatever is here, this is the source of every one of those roses.
Before long, the trowel hits something solid with a hollow, woody sound. ]
Before long, the trowel hits something solid with a hollow, woody sound. ]
[ It’s not a bone. It’s a cluster of roots, scorched and knotted together into what looks like the top of a lumpy, hollow shape. The shape is fairly large, maybe a third of Alucard’s height across. ]
[ It doesn’t react. But it’s solid, and the sound of the trowel hitting it echoes, and since Alucard has bat hearimg it’s clear from the way the sound bounces that There’s something in there. ]
[ The magic moves through the thing in the same way that the sound had, bouncing over surfaces to give a picture of the inside of the know of roots.
It’s distorted, hard and brittle where softer skin ought to be, and curled in upon itself, but it’s a body. Three of them, to be exact. Two very small and one larger. The larger of the three hangs in the centre of the thing, suspended by vines. The source of all of them.
In the distance, something heavy scrapes over the ground. The hunt is over. ]
It’s distorted, hard and brittle where softer skin ought to be, and curled in upon itself, but it’s a body. Three of them, to be exact. Two very small and one larger. The larger of the three hangs in the centre of the thing, suspended by vines. The source of all of them.
In the distance, something heavy scrapes over the ground. The hunt is over. ]
[He offers his hand and she knows that it is not an easy thing to do if he believes in what she can do. But in this dark and murky world that they both travel in doubt isn't always something one struggles with.
He offers his hand and she takes it with a hand that is also cool but for a different reason. As she gazes at him, focusing, the touch between them warms. As she gives over to her bittersweet gift her gaze goes through him, traveling back, back through the years and all the breaths from then till now.
The emotions come first, slow. Then the visuals, slow. Then it is all there and in shrieking high clarity; an intensity that comes with a being not fully human. His words, the truth he spoke - all there. Then the sight of Dracula's furry is terrifying beyond all words as the conflict between the two. Vanessa drops his hand like it is scalding liquid, rearing back, chest heaving, eyes rolling. A bead of sweat rolls slowly down the small of her back. Unable to speak she nods quickly that she know he speaks true.]
He offers his hand and she takes it with a hand that is also cool but for a different reason. As she gazes at him, focusing, the touch between them warms. As she gives over to her bittersweet gift her gaze goes through him, traveling back, back through the years and all the breaths from then till now.
The emotions come first, slow. Then the visuals, slow. Then it is all there and in shrieking high clarity; an intensity that comes with a being not fully human. His words, the truth he spoke - all there. Then the sight of Dracula's furry is terrifying beyond all words as the conflict between the two. Vanessa drops his hand like it is scalding liquid, rearing back, chest heaving, eyes rolling. A bead of sweat rolls slowly down the small of her back. Unable to speak she nods quickly that she know he speaks true.]
[ The scraping stops, and Trevor stalks in. He looks around at what’s happening before picking up a dropped work glove in his jaws, bringing it to Alucard. ]
You’ll need to make more of the medicine.
[ It’s one of Vlad’s inventions, if one dedicated to Lisa. A medicine for the sicknesses caused by proximity to the night creatures. He’s been bringing back the bodies of late, so that Alucard can take samples to brew it, before heading back to put that medicine into whatever water supplies the might creatures have tainted.
For the moment, at least, Alucard is off the hook.. ]
You’ll need to make more of the medicine.
[ It’s one of Vlad’s inventions, if one dedicated to Lisa. A medicine for the sicknesses caused by proximity to the night creatures. He’s been bringing back the bodies of late, so that Alucard can take samples to brew it, before heading back to put that medicine into whatever water supplies the might creatures have tainted.
For the moment, at least, Alucard is off the hook.. ]
[More nods and then finally she finds her voice, quiet and thankful.]
Yes, I would be most grateful, Mr. Tepes.
[Damnation, if she could only find a way to steady her heart. The time alone to collect herself is also gratefully appreciated.]
Yes, I would be most grateful, Mr. Tepes.
[Damnation, if she could only find a way to steady her heart. The time alone to collect herself is also gratefully appreciated.]
[Vanessa has not moved from her spot on the couch since he left. There has been shifting of course, she is not made of stone, but to lift ones self up and move about seems like such a Herculean task that she has not attempted it.
After her breathing eased her mind went blessedly blank, lured perhaps by the simple crackle pop of the slowly dying fire and the common noises of the London street. Soothing in the way only human noises can be, a loose tether to reality.
By the time he returns she has the forethought and energy for a brief smile and the familiar task of preparing tea.]
One of the first things I managed to accomplish on my own when I was released from the asylum was to prepare a cup of tea. I couldn't recall how I took it at first, that came later. How do you take yours, Mr. Tepes?
After her breathing eased her mind went blessedly blank, lured perhaps by the simple crackle pop of the slowly dying fire and the common noises of the London street. Soothing in the way only human noises can be, a loose tether to reality.
By the time he returns she has the forethought and energy for a brief smile and the familiar task of preparing tea.]
One of the first things I managed to accomplish on my own when I was released from the asylum was to prepare a cup of tea. I couldn't recall how I took it at first, that came later. How do you take yours, Mr. Tepes?
[An offering, like his to leave and make tea. A peek into the insides after a look at his. Information not freely, easily given.
She pours his first, deftly handling the teapot, the delicate tongs for the cube of sugar. The composure of a woman of title and breeding.
Then her own. Vanessa lets the silence sit till she has her first sip of tea. Shocking how such a simple thing can be so stabilizing.]
Thank you for allowing me a moment, Mr. Tepes. That was a series of very difficult conversations, I appreciate your honesty and understanding.
She pours his first, deftly handling the teapot, the delicate tongs for the cube of sugar. The composure of a woman of title and breeding.
Then her own. Vanessa lets the silence sit till she has her first sip of tea. Shocking how such a simple thing can be so stabilizing.]
Thank you for allowing me a moment, Mr. Tepes. That was a series of very difficult conversations, I appreciate your honesty and understanding.
[ He makes a soft noise, like an exhale but louder, leaning into the contact. He's started to be used to it, by now. The touching, that strange warmth that he doesn't deserve. ]
No more so than they usually do this time of year. Come summer, most of them will have moved on. I shouldn't need more than last time.
[ Then he raises his head to sniff at the air. Something seems wrong. ]
No more so than they usually do this time of year. Come summer, most of them will have moved on. I shouldn't need more than last time.
[ Then he raises his head to sniff at the air. Something seems wrong. ]
[ He tilts his head. ]
Did you find them?
[ Then he turns and enters the den, pawing at the furs to feel for anything underneath them to make sure he can return the tools. And then freezes. Something is wrong. Something is very wrong.
Every flower in the area turns to face Alucard. When he next speaks, it comes out as a growl. ]
What did you do?
Did you find them?
[ Then he turns and enters the den, pawing at the furs to feel for anything underneath them to make sure he can return the tools. And then freezes. Something is wrong. Something is very wrong.
Every flower in the area turns to face Alucard. When he next speaks, it comes out as a growl. ]
What did you do?
[ The only answer that Alucard receives is a low snarl, and that itself is the only warning he receives before he's being charged down by a bear. He launches itself at Alucard, all claws and fangs, as thorny vines stretch out to block off every exit but the way to Alucard's own wing. ]
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