[ He pulls both of them into a tight embrace. His hands are still shaking, tone still a little too serious, but he can do that much. ]
I love you. We love you. Even if your dad is an ass.
I love you. We love you. Even if your dad is an ass.
[ This is all any of them have wanted since the dreams began. It’s perfect. In the absence of everything outside of it, it’s perfect. He leans down to kiss the top of Alucard’s head. Sypha nuzzles fondly at his cheek. ]
You don’t need to be sorry. Just promise that you won’t let him hurt her.
You don’t need to be sorry. Just promise that you won’t let him hurt her.
Good. Perfect.
[ And he lays back, pulling the both of them with him. It's- a little less perfect in real life, in truth. Dream logic allows for things like ignoring how bony Alucard is, how Sypha's robes always find a way to end up inconveniently and uncomfortably wrapped around some limb or another.
But it's also real. It's real, at last, and whatever price they have to pay for that later might just be worth it. ]
Sorry for being an ass about it.
[ And he lays back, pulling the both of them with him. It's- a little less perfect in real life, in truth. Dream logic allows for things like ignoring how bony Alucard is, how Sypha's robes always find a way to end up inconveniently and uncomfortably wrapped around some limb or another.
But it's also real. It's real, at last, and whatever price they have to pay for that later might just be worth it. ]
Sorry for being an ass about it.
Yeah. Probably best to stop dwelling on it.
[ Sypha's the most vulnerable of them to sleepiness, and she's already moving to pull a few of the furs from the ground over them. He can't blame her - it's earlier than they'd usually sleep, but worrying about the vampire boyfriend for the last few days is tiring work. ]
We're going to have to start doing work at night, eventually.
[ But he doesn't sound like he's in a hurry to move. Even if he could. ]
[ Sypha's the most vulnerable of them to sleepiness, and she's already moving to pull a few of the furs from the ground over them. He can't blame her - it's earlier than they'd usually sleep, but worrying about the vampire boyfriend for the last few days is tiring work. ]
We're going to have to start doing work at night, eventually.
[ But he doesn't sound like he's in a hurry to move. Even if he could. ]
And here I'd thought you'd have had enough of sleeping.
[ He doesn't really want to test Dracula's patience too much, and they were told that his purpose in letting Alucard be with them was to work and further his campaign of kind-of-being-helpful.
But one night. They can have one night, at least. He raises a hand to Sypha's hair, combing his fingers through it. ]
Still, doubt you're going to give me permission to get up and move any time soon.
[ Sypha makes a sleepy noise in response. Nope. He's not going to get permision to leave until she's good and ready. ]
[ He doesn't really want to test Dracula's patience too much, and they were told that his purpose in letting Alucard be with them was to work and further his campaign of kind-of-being-helpful.
But one night. They can have one night, at least. He raises a hand to Sypha's hair, combing his fingers through it. ]
Still, doubt you're going to give me permission to get up and move any time soon.
[ Sypha makes a sleepy noise in response. Nope. He's not going to get permision to leave until she's good and ready. ]
[ It takes a week or so for annoyance at Trevor’s absence to become true worry among the Belmont siblings. Moths are rarely active in winters this harsh. It’s understandable that he mightbe taking longer than usual. The primary concern is that with Trevor gone and Leon’s time so limited in the short days there is too much work for too few hands, even with Alucard and Sypha’s help.
Eventually, though, worry sets in. Not even Leon himself can sense Trevor’s location. They don’t have the resources to search him out the slow way. And so Sypha asks Alucard to be sent to Trevor’s location rather than hers the next night.
Even this late, the market is active. If anything, it seems to be early for the traders. The night is young. A table of banned books, Lisa’s among them, lies just ahead. Beyond it, a stall offers parts from the bodies of all manner of creatures. Humans and vampires and everything in between bustle about, but there’s no sign of Trevor. It’s a tall man, human, who takes note of Alucard first. ]
You’re from His castle, aren’t you? No need to be shy! It is an honour to receive a servant of Lord Dracula to our humble market. Come, come! He cannot be interested in these silly trinkets. No, I will show you my most valuable wares.
Eventually, though, worry sets in. Not even Leon himself can sense Trevor’s location. They don’t have the resources to search him out the slow way. And so Sypha asks Alucard to be sent to Trevor’s location rather than hers the next night.
Even this late, the market is active. If anything, it seems to be early for the traders. The night is young. A table of banned books, Lisa’s among them, lies just ahead. Beyond it, a stall offers parts from the bodies of all manner of creatures. Humans and vampires and everything in between bustle about, but there’s no sign of Trevor. It’s a tall man, human, who takes note of Alucard first. ]
You’re from His castle, aren’t you? No need to be shy! It is an honour to receive a servant of Lord Dracula to our humble market. Come, come! He cannot be interested in these silly trinkets. No, I will show you my most valuable wares.
Of course, of course!
[ A little way away, at a stall for ingredients of various kinds, a shopkeep cuts part of an antler off and grinds it into powder for a waiting client.
The man who caught Alucard's attention pushes a blank piece of paper into his hands. A moment later, dips a brush into a bottle of clear liquid and runs it over the paper, 'accidentally' missing a few lines. Best not to reveal to a servant of Dracula's where Dracula's few laws have been broken, after all. Where the liquid is brushed over, words form. It's a list of merchandise, with details and prices. He taps a finger at the bottom of the list. ]
Selkie - Unknown - Unavailable
Forgemaster - Greek - SOLD
Fae - French - For Sale
I'm afraid that the last of our stock of forgemasters has gone to another client only recently. I offer confidentiality, so I couldn't possibly let you know who intends to raise an army. Not for free. But I'm certain some of my other merchandise might be of interest.
[ A little way away, at a stall for ingredients of various kinds, a shopkeep cuts part of an antler off and grinds it into powder for a waiting client.
The man who caught Alucard's attention pushes a blank piece of paper into his hands. A moment later, dips a brush into a bottle of clear liquid and runs it over the paper, 'accidentally' missing a few lines. Best not to reveal to a servant of Dracula's where Dracula's few laws have been broken, after all. Where the liquid is brushed over, words form. It's a list of merchandise, with details and prices. He taps a finger at the bottom of the list. ]
Selkie - Unknown - Unavailable
Forgemaster - Greek - SOLD
Fae - French - For Sale
I'm afraid that the last of our stock of forgemasters has gone to another client only recently. I offer confidentiality, so I couldn't possibly let you know who intends to raise an army. Not for free. But I'm certain some of my other merchandise might be of interest.
Edited 2019-06-21 12:17 (UTC)
Of course, anything for your master!
[ The man vanishes into one of the wagons. There are noises - demands to stand and walk, the dragging of metal on the wagon's wooden floor.
The figure that stumbles out is barely recognisable. The lower part of his face is obscured by the kind of bridle used to punish scolds and boasts, the upper part of it by the thick iron wires and leather straps holding it in place. One of the wires has been knocked out of place and digs into the side of his face, the flesh trying and failing to heal around it. His antlers are gone, cut away so close to the skull that what remains of his hair obscures the base of them.
As he misses a step and falls to the ground it becomes clear that his wings are gone, too. He is naked and his skin is covered with a mixture of symbols and words, written in purple-black ink. ]
Stand. [ The merchant orders. He does not. The man narrows his eyes, taking a quill and a jar of ink, and proceeds to write 'stand' across his back. ] He is difficult about verbal commands, as you can see, but nearly all of his kind can be controlled in this manner.
[ The ink hisses as sinks in to the scratches made by the pen - it's actually fairly pale. The dark purple colour, it becomes clear, comes from the bruising it causes. As it does, Trevor pushes himself to his feet. He doesn't seem to notice Alucard, staring past him. ]
[ The man vanishes into one of the wagons. There are noises - demands to stand and walk, the dragging of metal on the wagon's wooden floor.
The figure that stumbles out is barely recognisable. The lower part of his face is obscured by the kind of bridle used to punish scolds and boasts, the upper part of it by the thick iron wires and leather straps holding it in place. One of the wires has been knocked out of place and digs into the side of his face, the flesh trying and failing to heal around it. His antlers are gone, cut away so close to the skull that what remains of his hair obscures the base of them.
As he misses a step and falls to the ground it becomes clear that his wings are gone, too. He is naked and his skin is covered with a mixture of symbols and words, written in purple-black ink. ]
Stand. [ The merchant orders. He does not. The man narrows his eyes, taking a quill and a jar of ink, and proceeds to write 'stand' across his back. ] He is difficult about verbal commands, as you can see, but nearly all of his kind can be controlled in this manner.
[ The ink hisses as sinks in to the scratches made by the pen - it's actually fairly pale. The dark purple colour, it becomes clear, comes from the bruising it causes. As it does, Trevor pushes himself to his feet. He doesn't seem to notice Alucard, staring past him. ]
I am afraid not. They are hard to tame, whole, and- well. The alchemists do need to get their materials somehow, don't they?
[ The salesman tuts, reaching up to fix the out of place wire on the bridle, a reproach about struggling too much under his breath. ]
Consider it an investment. All of it will grow back, of course, and in the meantime the dulled senses and disorientation make them far more obedient and easy to train. You can convince them to make any promise at all.
[ The salesman tuts, reaching up to fix the out of place wire on the bridle, a reproach about struggling too much under his breath. ]
Consider it an investment. All of it will grow back, of course, and in the meantime the dulled senses and disorientation make them far more obedient and easy to train. You can convince them to make any promise at all.
[ The merchant looks offended by the idea for just a moment, but then smiles again. A client like Dracula is worth taking a less than satisfactory deal, after all. He calls to the shopkeeper tending the ingredients stall, the one who was grinding an antler before, and they talk for a little while before he addresses Alucard again. ]
For a client like your master, I can lower the price by the going rate for a pair of antlers and wings. I'll throw in a few bottles of the ink, too, for the damage he's managed to do to himself.
For a client like your master, I can lower the price by the going rate for a pair of antlers and wings. I'll throw in a few bottles of the ink, too, for the damage he's managed to do to himself.
i would not dare take anything more from Lord Dracula.
[ There's recognition in Trevor's eyes, at that. His senses are too dulled by pain and the loss of his antlers to recognise Alucard, but he can just about hear that name. Is that where he's being taken? To Dracula? Shit. What if Dracula interprets this as a failure? What if he punishes Sypha for his own being captured?
While the merchant speaks, he reaches blindly at the table of papers nearby, for that blank page written in magic ink. That, he can give to him. Use it to bargain, maybe. There's information there that Dracula would want to see.
The merchant turns back too soon, and he has to withdraw his hand quickly to avoid being caught. ]
We have a deal, then?
[ There's recognition in Trevor's eyes, at that. His senses are too dulled by pain and the loss of his antlers to recognise Alucard, but he can just about hear that name. Is that where he's being taken? To Dracula? Shit. What if Dracula interprets this as a failure? What if he punishes Sypha for his own being captured?
While the merchant speaks, he reaches blindly at the table of papers nearby, for that blank page written in magic ink. That, he can give to him. Use it to bargain, maybe. There's information there that Dracula would want to see.
The merchant turns back too soon, and he has to withdraw his hand quickly to avoid being caught. ]
We have a deal, then?
Understandable.
[ The merchant turns, assembling a stack of papers. Instructions for proper control of Trevor's kind. All of the information that he's been able to gather that makes this look like a good deal, and none of what might make it seem unfavourable. Trevor can just about tell whats going on and when the merchant turns back to confirm the price of the antlers and wings, to knock down the cost by that much, he slips that blank paper into the stack. No need for the ink to reveal the words, Dracula will find a way.
Trading in fairies and forgemasters is one thing. Trading in young fledglings is information that Dracula might want to know. It's not much, but it's the only thing he has to offer.
The merchant writes down his price on the top page, handing the small stack of papers to Alucard. ]
Please, take all the time you like. I should warn you, however, that there are other interested buyers. I can hold him a little while as a favour to your master, but not for too long.
[ The merchant turns, assembling a stack of papers. Instructions for proper control of Trevor's kind. All of the information that he's been able to gather that makes this look like a good deal, and none of what might make it seem unfavourable. Trevor can just about tell whats going on and when the merchant turns back to confirm the price of the antlers and wings, to knock down the cost by that much, he slips that blank paper into the stack. No need for the ink to reveal the words, Dracula will find a way.
Trading in fairies and forgemasters is one thing. Trading in young fledglings is information that Dracula might want to know. It's not much, but it's the only thing he has to offer.
The merchant writes down his price on the top page, handing the small stack of papers to Alucard. ]
Please, take all the time you like. I should warn you, however, that there are other interested buyers. I can hold him a little while as a favour to your master, but not for too long.
Ah. A pity.
[ The merchant considers, then shakes his head. He wants Dracula as a customer, but he can't go lower than that. It's rare to come across a fairy so easily captured. ]
Take the papers, then. Have your master look through them. I'm sure he will find our price to be very reasonable. My market will be here for another two days, and I will hold him for that long.
[ The merchant considers, then shakes his head. He wants Dracula as a customer, but he can't go lower than that. It's rare to come across a fairy so easily captured. ]
Take the papers, then. Have your master look through them. I'm sure he will find our price to be very reasonable. My market will be here for another two days, and I will hold him for that long.
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