Eep!
[Speaking of being very cute, there's another of those startled squeak noises, this time from the unexpected flop of Alucard hauling her down onto the mattress with him in a tangle of limbs. She's got the advantage, though, being on top of him for the moment. With Trevor making his way in to the tangle, that probably won't last for long, but for the time being, she's going to make the best of it.]
Come, now. Show off for me. Dazzle us with your silver tongue.
[While trying not to laugh at the irony of a silver-tongued vampire, of course. But it's easy to press her laughter against his neck, letting it rumble beneath his ear.]
[Speaking of being very cute, there's another of those startled squeak noises, this time from the unexpected flop of Alucard hauling her down onto the mattress with him in a tangle of limbs. She's got the advantage, though, being on top of him for the moment. With Trevor making his way in to the tangle, that probably won't last for long, but for the time being, she's going to make the best of it.]
Come, now. Show off for me. Dazzle us with your silver tongue.
[While trying not to laugh at the irony of a silver-tongued vampire, of course. But it's easy to press her laughter against his neck, letting it rumble beneath his ear.]
Oh.
[It's a pleased little noise, when she sees what they've done, and one that turns rich with amusement when she works out that there's an added fringe benefit to her boys from being like this as well — if she's atop both of them, then she's also warming both of them, and everyone is all the more snug for it.
It's a shame that she can't kiss both of them at once, but they've grown adept at navigating those logistics by now, and when she's finished taking her fill of Alucard's mouth, she reaches to twist her fingers in the hair at the back of Trevor's head and guides him down into the space she's just vacated, wanting to see him take his share, too.
They look good together, after all. Her two boys, light and dark, two halves of a whole, and hers, all hers.]
[It's a pleased little noise, when she sees what they've done, and one that turns rich with amusement when she works out that there's an added fringe benefit to her boys from being like this as well — if she's atop both of them, then she's also warming both of them, and everyone is all the more snug for it.
It's a shame that she can't kiss both of them at once, but they've grown adept at navigating those logistics by now, and when she's finished taking her fill of Alucard's mouth, she reaches to twist her fingers in the hair at the back of Trevor's head and guides him down into the space she's just vacated, wanting to see him take his share, too.
They look good together, after all. Her two boys, light and dark, two halves of a whole, and hers, all hers.]
[They are a disaster of tangled limbs, with Sypha perhaps the only one granted the privilege of being truly comfortable, and yet it works out. Everyone is where they should be — close at hand, never out of reach. She could be happy just curling up atop them both and lounging forever, she thinks dreamily, hidden away from everything else in this little den of contentment they've built together.
Of course, it seems Alucard has ideas of his own, and for a second she really thinks his fingers are going to settle in the shallow hollow at the small of her back, light but possessive. But then they don't, and claiming a handful of her ass is equally possessive, albeit with a slightly different lean to the intentions.]
Mmm, careful.
[She's grinning. He's beneath her, and that's dangerous — especially if she can manage to bait Trevor into falling into league with her, which is always a possibility.]
You are in a precarious position to be teasing, Alucard.
Of course, it seems Alucard has ideas of his own, and for a second she really thinks his fingers are going to settle in the shallow hollow at the small of her back, light but possessive. But then they don't, and claiming a handful of her ass is equally possessive, albeit with a slightly different lean to the intentions.]
Mmm, careful.
[She's grinning. He's beneath her, and that's dangerous — especially if she can manage to bait Trevor into falling into league with her, which is always a possibility.]
You are in a precarious position to be teasing, Alucard.
Very.
[She squirms a little, mostly just as unspoken confirmation that yes, she feels what he's doing there, and yes, she knows what he's up to, and yes, she's going to take the bait —]
You are, after all, on the bottom.
[She reaches behind herself, tracing her fingers down the length of his arm like a guideline until she finds his wrist, and wraps her fingers loosely around it before guiding his arm up and away, stretched over his head where she can pin it to the mattress.]
Which makes you at my mercy.
[She squirms a little, mostly just as unspoken confirmation that yes, she feels what he's doing there, and yes, she knows what he's up to, and yes, she's going to take the bait —]
You are, after all, on the bottom.
[She reaches behind herself, tracing her fingers down the length of his arm like a guideline until she finds his wrist, and wraps her fingers loosely around it before guiding his arm up and away, stretched over his head where she can pin it to the mattress.]
Which makes you at my mercy.
Hold you for ransom, perhaps.
[He's such a sucker, and more importantly, she's such a sucker for the both of them. She flicks a glance at Trevor, pleased to see him withdrawing just enough that it might just signal his agreement to play her accomplice, and shuffles herself a little so that she's less outright sprawled atop Alucard and more sitting over him, straddling his waist to help give the illusion of pinning him that way, too.]
The freedom of such a handsome prince must be worth a very high price.
[With her free hand, she runs her finger down his chest, letting it hook and catch against the collar of his nightshirt.]
It was very careless of you, letting yourself get caught like that.
[He's such a sucker, and more importantly, she's such a sucker for the both of them. She flicks a glance at Trevor, pleased to see him withdrawing just enough that it might just signal his agreement to play her accomplice, and shuffles herself a little so that she's less outright sprawled atop Alucard and more sitting over him, straddling his waist to help give the illusion of pinning him that way, too.]
The freedom of such a handsome prince must be worth a very high price.
[With her free hand, she runs her finger down his chest, letting it hook and catch against the collar of his nightshirt.]
It was very careless of you, letting yourself get caught like that.
That's worse for you than it is for us. You'll just have to stay our prisoner.
["Our", now, since Trevor is now getting roped in as her accomplice whether he likes it or not.]
You look wonderful like this, you know.
[She walks her fingers back up his chest to the hollow at the base of his throat, dipping in with just her fingertips.]
Is it torture, to be all tied up and not able to touch?
["Our", now, since Trevor is now getting roped in as her accomplice whether he likes it or not.]
You look wonderful like this, you know.
[She walks her fingers back up his chest to the hollow at the base of his throat, dipping in with just her fingertips.]
Is it torture, to be all tied up and not able to touch?
[She hums happily, pleased to see Trevor's initiative unfolding in the form of going straight for their vampire's neck, because there are a handful of ways to get his poise to start coming undone and that's definitely one of them.]
Yes, of course we are.
[It's not as though she needs an answer. If he wasn't enjoying himself, he would've broken free and turned the tables by now. But there are a lot of components that go into Alucard's enjoyment of this, she suspects. The attention, the two of them working together, the whimsical fantasy of being at their mercy...
Speaking of whimsy, she shifts her hold on his hand, moving from pinning his wrist to holding his hand itself, with her fingers interwoven between his. Because sometimes she fights dirty.]
But it would be nice to know what you want.
Yes, of course we are.
[It's not as though she needs an answer. If he wasn't enjoying himself, he would've broken free and turned the tables by now. But there are a lot of components that go into Alucard's enjoyment of this, she suspects. The attention, the two of them working together, the whimsical fantasy of being at their mercy...
Speaking of whimsy, she shifts her hold on his hand, moving from pinning his wrist to holding his hand itself, with her fingers interwoven between his. Because sometimes she fights dirty.]
But it would be nice to know what you want.
Hmmm.
[It's odd how, in some ways, pleasing Alucard is so...simple. He cherishes such little things, never asks for much in order to be happy. He could be content just to look at his lovers and know that they love him in return, to reach for them and feel his fingers brush against them, and remind him that they're close at hand.
It makes her want to spoil him with it. They all take their turns at being the center of attention, but this morning has Alucard in such a rare good mood that she can't help but want to make it last and last until he's soaked through and saturated in it.]
Such torture. If I leave you with just one hand, you'll have to choose which one of us you want to reach for.
[And with Trevor working neatly on one side of Alucard's neck, Sypha gravitates to the other, nipping her way up to his earlobe to catch it between her teeth.]
[It's odd how, in some ways, pleasing Alucard is so...simple. He cherishes such little things, never asks for much in order to be happy. He could be content just to look at his lovers and know that they love him in return, to reach for them and feel his fingers brush against them, and remind him that they're close at hand.
It makes her want to spoil him with it. They all take their turns at being the center of attention, but this morning has Alucard in such a rare good mood that she can't help but want to make it last and last until he's soaked through and saturated in it.]
Such torture. If I leave you with just one hand, you'll have to choose which one of us you want to reach for.
[And with Trevor working neatly on one side of Alucard's neck, Sypha gravitates to the other, nipping her way up to his earlobe to catch it between her teeth.]
You do very well at not playing favorites.
[She kisses against his ear again, quietly cataloguing every sound that he makes, and takes pity on him by drawing back just enough that he can make more room for Trevor if he likes.
First, however, a little show is in order, and she brushes her fingers against Trevor's jaw to get his attention before leading him up to kiss her, crossing over to meet his mouth while they're directly in Alucard's line of sight.
It's surprisingly sweet, for being as mean as it is, but she won't make Alucard suffer long. Soon enough she lets Trevor return to his work, and focuses down on her half-vampire lover again.]
But sometimes you give too much, you know. You ought to be taught to lie back and take.
[She kisses against his ear again, quietly cataloguing every sound that he makes, and takes pity on him by drawing back just enough that he can make more room for Trevor if he likes.
First, however, a little show is in order, and she brushes her fingers against Trevor's jaw to get his attention before leading him up to kiss her, crossing over to meet his mouth while they're directly in Alucard's line of sight.
It's surprisingly sweet, for being as mean as it is, but she won't make Alucard suffer long. Soon enough she lets Trevor return to his work, and focuses down on her half-vampire lover again.]
But sometimes you give too much, you know. You ought to be taught to lie back and take.
You continue to show a remarkable grasp on your composure. Which I think counts as resistance, when I want to make you forget even your own name.
[They work well like this, herself and Trevor. There's an easy, natural rhythm to it — he acts, and she speaks, and they tie up their vampire on two fronts instead of just one. He can't focus too much on what Sypha is saying while Trevor's hands are skimming across his skin; he can't fixate too strongly on the tactile sensations Trevor is creating while Sypha keeps him tangled in the threads of conversation.
It's always good to have a firm plan of attack, when going up against a vampire. Disorient them, distract them. And when Alucard tips over the edge, they'll support him.]
Nor have you made any of those sounds that I like so much, yet. Tsk, tsk.
[They work well like this, herself and Trevor. There's an easy, natural rhythm to it — he acts, and she speaks, and they tie up their vampire on two fronts instead of just one. He can't focus too much on what Sypha is saying while Trevor's hands are skimming across his skin; he can't fixate too strongly on the tactile sensations Trevor is creating while Sypha keeps him tangled in the threads of conversation.
It's always good to have a firm plan of attack, when going up against a vampire. Disorient them, distract them. And when Alucard tips over the edge, they'll support him.]
Nor have you made any of those sounds that I like so much, yet. Tsk, tsk.
That's a nice way of saying you like to make us work for it.
[Again, she takes a moment to reach for Trevor, instinctive in the way it completes the circuit between the three of them. She strokes his hair, runs her hand down his cheek; as she cups his jaw in her palm, it puts her thumb perfectly in line with his lips, and he flashes a crooked grin as he draws it into his mouth to tease.
It's how it should be, even when it's two against one. They're a triangle, a closed circuit, with every side supporting the other. It's good to still have that affection present, too, in the spaces between when they're both working their Alucard over in tandem.]
I'm going to bite you, my Alucard.
[Which she says for two reasons. One is to wind him up with anticipation, which is always a vital part of the process. The other, though, is because there's an understated check of permission in it — a presented opportunity for him to refuse, if for some reason he needs to refuse. Biting is one of those activities that needs an extra check and balance, when it comes to Alucard, and she would never be so careless as to ignore that.]
[Again, she takes a moment to reach for Trevor, instinctive in the way it completes the circuit between the three of them. She strokes his hair, runs her hand down his cheek; as she cups his jaw in her palm, it puts her thumb perfectly in line with his lips, and he flashes a crooked grin as he draws it into his mouth to tease.
It's how it should be, even when it's two against one. They're a triangle, a closed circuit, with every side supporting the other. It's good to still have that affection present, too, in the spaces between when they're both working their Alucard over in tandem.]
I'm going to bite you, my Alucard.
[Which she says for two reasons. One is to wind him up with anticipation, which is always a vital part of the process. The other, though, is because there's an understated check of permission in it — a presented opportunity for him to refuse, if for some reason he needs to refuse. Biting is one of those activities that needs an extra check and balance, when it comes to Alucard, and she would never be so careless as to ignore that.]
Oh, no. You can work for it, too.
[And herein lies his folly, relinquishing his hold on Trevor to reach for Sypha instead; she's already got one of his arms over his head, and it would really just complete the picture if that one turned into two.
Still, she's not altogether cruel about it. She lets him touch her, arching her back a little to better push her chest against his palm, but doesn't let him linger long before she catches that hand of his and brings it up to her mouth to kiss at each of the fingertips in its turn.]
Use your words.
[Cruel.]
Please, what?
[And herein lies his folly, relinquishing his hold on Trevor to reach for Sypha instead; she's already got one of his arms over his head, and it would really just complete the picture if that one turned into two.
Still, she's not altogether cruel about it. She lets him touch her, arching her back a little to better push her chest against his palm, but doesn't let him linger long before she catches that hand of his and brings it up to her mouth to kiss at each of the fingertips in its turn.]
Use your words.
[Cruel.]
Please, what?
Mmm, but I see two of us here. How will we ever know who you're talking to?
[Perhaps deliberately, perhaps just in good fun, or perhaps just by sheer coincidence, she catches the tip of his middle finger in her mouth and closes her lips over it, sucking just lightly enough for him to feel it before releasing it again.
He'd really better hurry up; she's starting to get sweetly frustrated from how much she wants to bite him and hear him cry out, but she's not going to surrender the advantage before he does first.
So. Trevor's got Alucard's knees trapped, and that makes two of his limbs. She'll see to the other two, she decides, and guides his other wrist up to join the first, so that they're both pinned up and out of the way against the mattress.]
Specifics, Alucard.
[Perhaps deliberately, perhaps just in good fun, or perhaps just by sheer coincidence, she catches the tip of his middle finger in her mouth and closes her lips over it, sucking just lightly enough for him to feel it before releasing it again.
He'd really better hurry up; she's starting to get sweetly frustrated from how much she wants to bite him and hear him cry out, but she's not going to surrender the advantage before he does first.
So. Trevor's got Alucard's knees trapped, and that makes two of his limbs. She'll see to the other two, she decides, and guides his other wrist up to join the first, so that they're both pinned up and out of the way against the mattress.]
Specifics, Alucard.

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