cryptsleeper | 20s AU Post

20s AU Post

Current Carmilla plot outline
--Post-fire, Carmilla and Mr. Peanut team up mostly to use each other. Carmilla's spent the past several months (since November, it is now February 1925) networking, and it's clear to her that Alucard's not suited for the position and that the other two are the obvious weakness. Mr Peanut needs something back, so this is perfect on her end. Mr Peanut can only imagine the joys of vampire blood in his work, and he'd like an army of vampires for his own ends.
--Shit stirring from Mr Peanut (all of March?)
--Mr Peanut also begins to sell mis Miracle Serum, which has vampire blood in it.
--Gang is very much trying to murder Mr Peanut during this.
--Start of April, vampire gets a call from one of the blood bank contacts that 3 patients have come in and are displaying some bizarre signs. Investigation yields the fact that they're in process of turning, and they've all taken the same serum.
--Additional investigation reveals O FUCK IT MR PEANUT
--Meanwhile Carmilla's been made aware of a familiar she didn't sire, so she knows something's up. Big fight with Mr. Peanut and thus Mr. Peanut is left depowered
--Gang commits a murder
--Carmilla's well sured up on her contacts now, and it's time for open rebellion (mid-April)
--In a more subtle attempt to let Alucard just step aside, she cuts the breaks on demon car and shows up to gloat/suggest he not pull a dad and go to deal with his grief quietly while she runs the city. The how he wants to do it is up to him (black widow joke goes here.) Treffy and Sypha walk in.
--1 week of straight up rebellion; feedings, no help from allies, need to do damage control instead of fight carmilla, every dracula rule is
--MEANWHILE IN GRAVITY FALLS, triangle shows Vlad what's up to try and psyche him out, somehow this finalyl snaps Vlad out of his depression and he heads home
--Just in time for Alucard and Carmilla to be tearing each other to bits in one of the bayous, it's not going well
--Vlad coming in means the king of vampires is accosted by a belmont with a pair of blessed knitting needles and a speaker with a fucking gun and he's just like what the shit happened to the world while i was gone
--Wards around the fight means that only demon car can break the wards, everyone has to pile in.
--Carmilla gets her ass kicked AND SENT TO THE JUSTICE DIMENSION

THEN THERE WERE FAERIES.
--Prior to all of this the vampire and Sypha have done a shit ton of research on how to get their Belmont back
--Sypha has also been practicing debating with dad, which leaves everyone Very Tired.
--When Trevor is actually snatched up (1 year after marriage, it takes fae effort. Taking Arn's shape fails, so it's a lot more kidnapping by force), Sypha and Alucard go into Faerie
--But they're playing this as politics, not as heroes rescuing their damsel, so that means the faeries are just "wait what now excuse u?"
--There are 3 gates and 3 trials (the particulars we're still bullshitting.) Each is asked to sacrifice 3 things. (Alucard: voice, his titles as bestowed upon by his father and his people, i forget the third; Sypha: her human form (she's a birb), fuck what were the other two)
--They enter the court at the end of the third trial. After LITERALLY ALL THE TITLES Sypha declares she Speaks for Trevor Belmont
--Claim debate over Trevor, turns out that the rules are in Sypha's favor.
--But that means debating to leave Fae without giving up what they've chosen.
--Sypha lawyers it all out, Alucard is a safety deposit and hangs out with Fae!Trevor
--In the end, safe passage out of Faerie consists of Sypha giving up her memory of the necromancer (billed as a great mage she studied under), the vampire gives up his immortality, and Trevor is replaced with Carmilla (dad was aware of this option and OK with it), but Trevor has his ability to swear taken. He now soundslike a rubber ducky when he tries
--Everyone gets home okay, except for the AU of this AU where the gang fails, but Trevor's on their doorstep like a bat out of Hell because time doesn't work right and he's been in Hell for a WHILE.

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Yeah. Not been doing a whole lot of thinking in general these days, awake or otherwise.

[ That's a big fucking lie, but it's an easy one. ]

Just fucking try to mope about over it. I'll claw my way back just to snap you out of it with the fucking Vampire Killer.

I think that's the first time anyone in this house has ever been happy to be threatened with that whip.

[He's serious as he says it, but it belies a more important fact: he's taking that as a promise.]

If anyone could manage it, it'd be you.

What can I say? I make good fucking threats.

[ Sypha stirs, just a little, and all attention has to be on her for a few moments. His hand leaves Alucard, moving back to comb through her hair, and he doesn't speak more until she's still again. When he does it's with more gravity than he was discussing the fae bullshit. This is Actually Important. ]

I'll be teaching her to use a gun, once she's back on her feet.

[ He doesn't really know if Alucard will grasp what a big deal that is, but he ought to know anyway. ]

[She's the force that brought them together, so there's no surprise that the moment Sypha makes a noise, Trevor's hand goes right to her. The vampire's does too, rubbing her side softly like that'll actually help.

The change of subject is...not welcome, but it is important.]

For the best. No mage is going to expect to fight someone with a firearm when it's known she uses magic.

[He gets it. Speakers are non-violent, but he won't voice the obvious.]

I can clear out an area in the backyard for a proper shooting range.

That'd be- yeah, that's what I was going to ask. Where she could learn safely. I'll keep her on normal rounds until she finds her feet, then ask Bunicuta where she goes for the silver ones once we know she's not going to shoot anyone by mistake.

[ A long pause. ]

She said- she said she'd carry it if it meant she could always make it back to you. It was sweet. Thought you should know.

I'll block out an area tomorrow. No one comes around to these parts, and if anyone's sneaking onto our property, well...that means they've broken a great many enchantments and are something to worry about anyway. Just let me know when you go out to use the range.

[He just wants to be in the loop, and to avoid the area, silver bullets or not.

On the vampire's face there is suddenly a very, very weary look, mixed with the kind of soft, fond smiles that Sypha always drags out of him.]

Thank you that...that is very her, isn't it?

It is.

[ Such massive sacrifices she's made for both of them, now. Her old life for Alucard, her old identity for him. He wants to talk about it, about how massive it is. About how much he owes her.

But he can't find the words, so he just combs his fingers through her hair one more time before finding Alucard's hand and lacing their fingers together over her. ]

This doesn't happen again. It can't.

Agreed.

[Which is why they're not letting the fae take Trevor.

But that's not the this the Belmont is referring to. Just the kneejerk thought that comes up with the thought of either of them being driven from safety by the whims of the world.

Alucard's eyes are down on Sypha. She's peaceful like this. She needs to have that when she wakes too.]

I can't ask someone to jump from a train and allow this to happen.

Fuck, she actually- I thought that was a metaphor.

[ Of course she jumped from a train. Of course she fucking did. The next words are whispered to Sypha's sleeping form. ]

I don't know why I expected anything less of you.

Wait. You thought it was a metaphor?

[There's a soft, choked noise of disbelief.]

You've met us, correct?

I've also met trains! They're big! And loud! And fast! And she likes metaphors!

[ Look, safety is important. Except when it comes to vampire hunting, apparently. He's amused and a little bewildered. ]

Did you not consider asking her not to get onto the train, instead? That seems like it'd have been a better way to go about it.

Belmont, I'm entirely sure that your family records have noted that my father has always had a flair for the...dramatic, let us say. And that, for better and worse, is something that has been inherited.

[He shakes his head slowly.]

We also know I'm terrible at words. How do you think that might've gone instead?

You're right. Shame on me for assuming any fucking part of this was ever normal. Glad to know it wasn't me that made shit weird.

[ They're both ridiculous people and he loves them both so much. ]

You going to be okay? Sorry for- all of that shit.

Is it weird? In truth, I've never noticed.

[He grew up with a vampire dad and a doctor mom and look at what that social circle entails. How is he supposed to know any of it is weird?!?!]

I'll be fine. It's good to know what lies ahead, in it's way.

[They're also talking more. That in and of itself is a good thing.]

Will you?

I'll be fine. Fairy dreams are the good ones, except for the forgetting.

[ ...oops, he didn't think through the implications of that. ]

All's well, then. Sorry for getting my magic in your head.

...Trevor.

[It isn't a chiding tone. Just a worried one, and the worst of it all is that Alucard can make sense of what that statement really means. The other dreams are family. The war. All the other awful things that make Trevor Trevor.

They're important parts of him. It doesn't make the comment any less distressing.]

You've put worse in my head before. You will do so again.

Oh, almost certainly.

[ A squeeze of his hand. ]

I'll try to keep it to bad ideas from now on.

[ That isn't going to happen. They still need to find the necromancer, after all. But it's a nice thought, and he's a little too tired and taken aback by things not being metaphors to remember that right now. ]

Don't sound proud.

[Some of those things do get to him. Every moment spoiled fucking princeling gets said, for example. That eats because it's been a long fear, that he's been too protected from the world to be able to wholly function in it. Or that he's demanding the impossible because he was given every comfort growing up. Or he's just doing a shitty job at keeping things together.

He wishes it was just bad strategy. Or things to do in bed. Or...

...Fuck he could make a list into eternity. The hand is enough for now, or at least it will need to be.]

Lean over for a moment?

[ Wow rude. Things to do in bed was entirely what he was implying, but it's USUALLY good strategy. ]

Mm.

[ And he leans forward as much as he can without squashing Sypha too much between them. ]

[VAMPIRE'S THOUGHTS ARE NOT HORNY ONES sorry.

But at least the lean is met with the vampire's lips on Trevor's, careful to not squish Sypha in the process. It means no lingering or anything of the sort, but it's there. It's important.]

Ours.

[ It's only a brief kiss, but they've been rare lately. It's still perfect. ]

Yours.

[ And one day, these sorts of exchanges will become evidence, proof that he isn't his own or his family's to trade away. For now, they're just soft and perfect and two words that always mean safety.

He kisses Sypha's temple before he leans back down, pulling her so close that anyone could be forgiven for thinking that it was cold for once and he needed her warmth. ]

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20s AU Post

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