Alucard \\ Adrian F. Ţepeş (
cryptsleeper) wrote2018-11-11 04:32 pm
20s AU Post
Current Carmilla plot outline
--Post-fire, Carmilla and Mr. Peanut team up mostly to use each other. Carmilla's spent the past several months (since November, it is now February 1925) networking, and it's clear to her that Alucard's not suited for the position and that the other two are the obvious weakness. Mr Peanut needs something back, so this is perfect on her end. Mr Peanut can only imagine the joys of vampire blood in his work, and he'd like an army of vampires for his own ends.
--Shit stirring from Mr Peanut (all of March?)
--Mr Peanut also begins to sell mis Miracle Serum, which has vampire blood in it.
--Gang is very much trying to murder Mr Peanut during this.
--Start of April, vampire gets a call from one of the blood bank contacts that 3 patients have come in and are displaying some bizarre signs. Investigation yields the fact that they're in process of turning, and they've all taken the same serum.
--Additional investigation reveals O FUCK IT MR PEANUT
--Meanwhile Carmilla's been made aware of a familiar she didn't sire, so she knows something's up. Big fight with Mr. Peanut and thus Mr. Peanut is left depowered
--Gang commits a murder
--Carmilla's well sured up on her contacts now, and it's time for open rebellion (mid-April)
--In a more subtle attempt to let Alucard just step aside, she cuts the breaks on demon car and shows up to gloat/suggest he not pull a dad and go to deal with his grief quietly while she runs the city. The how he wants to do it is up to him (black widow joke goes here.) Treffy and Sypha walk in.
--1 week of straight up rebellion; feedings, no help from allies, need to do damage control instead of fight carmilla, every dracula rule is
--MEANWHILE IN GRAVITY FALLS, triangle shows Vlad what's up to try and psyche him out, somehow this finalyl snaps Vlad out of his depression and he heads home
--Just in time for Alucard and Carmilla to be tearing each other to bits in one of the bayous, it's not going well
--Vlad coming in means the king of vampires is accosted by a belmont with a pair of blessed knitting needles and a speaker with a fucking gun and he's just like what the shit happened to the world while i was gone
--Wards around the fight means that only demon car can break the wards, everyone has to pile in.
--Carmilla gets her ass kicked AND SENT TO THE JUSTICE DIMENSION
THEN THERE WERE FAERIES.
--Prior to all of this the vampire and Sypha have done a shit ton of research on how to get their Belmont back
--Sypha has also been practicing debating with dad, which leaves everyone Very Tired.
--When Trevor is actually snatched up (1 year after marriage, it takes fae effort. Taking Arn's shape fails, so it's a lot more kidnapping by force), Sypha and Alucard go into Faerie
--But they're playing this as politics, not as heroes rescuing their damsel, so that means the faeries are just "wait what now excuse u?"
--There are 3 gates and 3 trials (the particulars we're still bullshitting.) Each is asked to sacrifice 3 things. (Alucard: voice, his titles as bestowed upon by his father and his people, i forget the third; Sypha: her human form (she's a birb), fuck what were the other two)
--They enter the court at the end of the third trial. After LITERALLY ALL THE TITLES Sypha declares she Speaks for Trevor Belmont
--Claim debate over Trevor, turns out that the rules are in Sypha's favor.
--But that means debating to leave Fae without giving up what they've chosen.
--Sypha lawyers it all out, Alucard is a safety deposit and hangs out with Fae!Trevor
--In the end, safe passage out of Faerie consists of Sypha giving up her memory of the necromancer (billed as a great mage she studied under), the vampire gives up his immortality, and Trevor is replaced with Carmilla (dad was aware of this option and OK with it), but Trevor has his ability to swear taken. He now soundslike a rubber ducky when he tries
--Everyone gets home okay, except for the AU of this AU where the gang fails, but Trevor's on their doorstep like a bat out of Hell because time doesn't work right and he's been in Hell for a WHILE.

no subject
We would prefer not to be caught up in the intrigues of your society. We can offer you medicine, for what small good it will do, but you must leave us.
[But from her log, Sypha is watching this unfold quietly, cautiously. There's something about the vampire that looks...defeated, almost. She's good at reading people from a distance — perhaps the best in the caravan, really. And there are tells to the vampire that she suspects her grandfather isn't seeing — the flicker in his eyes when he was initially rebuffed. The way he's thinking behind the mask of his expression, considering possibilities — like he's already resigned to the thought that coming here will prove fruitless for him.]
no subject
[He forgot that this would be dragging them into vampire nonsense if it ever got out. The man's right, it's a great risk and he's the eldest. This call is made for the whole, not for the want of a single bleeding idiot who's turned up on the proverbial doorstep.
He takes a few steps back to show that he understands the peril, that he'll loiter just a a little further away to help if that's what they need.]
no subject
And hesitates a minute, crouching in front of the chest of remedies, mulling over the little spectacle she'd watched. There's something nagging at her, something she can't place. Something above and beyond just the code of the Speakers and their charge to help those in need. Something that leaves her breathless, and she can't explain why.
She chews her lip, and before she can think better of it, she finds the paper bag that the day's shopping had come in, tearing a piece free and flattening it on her knee. Finding something to write with is more complicated, but she manages to find a loose twig and chars the end of it with a breath of fire, and scratches marks onto the torn scrap of paper in haste.
Finished, she blows on it to clear it of debris and folds it into quarters, then picks up a jar of salve and a roll of bandage, and tucks the note carefully inside the latter before trotting out to rejoin her grandfather.]
Here you are.
[She offers them carefully, holding the note against her palm so that only a small sliver of it shows, and offers them to the vampire, watching him with an almost scrutinizing gaze.]
no subject
Likewise, he's grateful that this camp is far, far away from many prying eyes. A bleeding man on the streets here at this time of night? Normal enough. It's a thought that almost makes him smile, until the terrible truth of why he's here in the first place comes up again. Alucard wants to cry from it all, and he can't. Not yet.
His mind wanders through various ways of trying to express grief. He could sob for hours now, or else become an ice cold wall, or perhaps wander the bayous until his legs finally ache. They're all possibilities, and he is considering each one when Sypha approaches.
He takes everything in his non-bloodied hand.]
Thank you.
[He feels the note. But he doesn't look at it. He walks away, careful with his gait. Disappears around the corner.
Then stops long enough to examine the note.]
no subject
(Comical, isn't it. A Speaker, writing things down.)
Wait where the path forks, it reads in thin, scratched letters. I will help you.]
no subject
It is terrible. Every step hurts, everything feels like a knife all along the wound. Alucard can feel how close he is to wanting to fall down, and he does so only once he the crossroads themselves.
He falls all at once. A mess of limbs and a groan of agony.]
no subject
Then she waits, and when activity has returned to the camp as usual, she steals away.
She wonders if he found the note. If he stayed. If he'll just eat her and be done with her, and this was all just a trap all along. Well, so much the better if it is. He can have her, and maybe it will sate him enough to leave the other Speakers alone.
Her sandals make scuffing noises along the dirt path as she makes her approach, and as she rounds the bend to the crossroads —]
Oh —
[If this is a trap, it's a good one. The bait is perfect to have her scurrying over, dropping down to one knee to try to get a look at him.]
This is not exactly what I had in mind when I said to wait for me, friend.
no subject
He lifts his head slightly. That's about all he can manage, and even then it's just to make eye contact. To acknowledge that she's there, and that he's quite exhausted from exerting himself. Otherwise he is so very still.
There's enough energy in him to reply though.]
Couldn't be helped.
no subject
[More specifically, let her sort of un-heap him and get him instead into a position where she might actually stand a chance of helping him. She's not really sure about the wisdom of spontaneously touching an injured vampire, but she starts with his legs first, trying to sort of pull and rotate him into a supine position.]
...To do this, we must have an agreement between us. I will not ask what happened to you, to cause this. But you must tell me the things I need to know to treat you. Do you agree?
no subject
[That's the most important part. This young woman being here is probably a risk to her people and their safety. He cannot jeopardize anything else in addition to that simple fact.
He's cooperative though. Lets himself be unheaped because there's something easier about having a person who isn't himself directing all of his limbs, the rest is on gravity and momentum to follow her lead.]
no subject
[She's simply got to be blunt about it; there's really no time for anything else. Shucking off her top layer of robes, she moves up to his head and lifts it unceremoniously, just long enough to shove the cloth underneath it as a makeshift pillow.]
Also. I have a steel needle and a silver one. If I suture this, which will pierce better to make the stitches?
no subject
[He's trying to be quick. Anything else is unhelpful to the speaker and....
...and the pillow comes with a little grateful noise.]
First one. Silver will only burn.
no subject
[She digs in her bag, finding the flask of water and one of her towels, which she reluctantly holds out to him.]
I assume you do not want me to touch your blood, so I need you to clean it off yourself first. This is water to rinse, and the towel to blot.
no subject
[He asks it as Sypha hands him the flask. He can pour the water down his front, use his non-bloodied hand to wash out the dirt that has doubtlessly got itself caught in the wound. There's a horrible hiss as he does so, one that is enlongated for as long as he is scrubbing through everything.
Then there's the towel. It hurts in it's own way, but it is a little easier. Just by a hair.]
no subject
[WITCHCRAFT.]
Be gentler with yourself. Don't scrub, just...stroke. Like this.
[She motions vaguely for him, trying to mime the appropriate method and level of care.]
no subject
[He doesn't even blink at making more water. She's a Speaker, it could be some kind of metaphor or. Or whatever. Alucard's decided that minimal thinking is best right now since there's someone else to help.]
Slightly too late for that now.
[But apparently he has enough in him to gently be a bit of an ass.]
no subject
[She says, to Dracula's son, a literal vampire (or at least half of one) who, even injured, could still probably eviscerate her faster than she could blink, if he wanted to.
As the blood and dirt starts to wash away, she's got a much better vantage point on the actual nature of his wound, and she winces to look at it. It's deep, and ugly. There's no chance it won't scar.]
...I should tell you now that I have never done this before, in practice. I know the theory. And if you know something I do not about your own...anatomy, tell me. But this will get infected if it stays open. I think it will need to be sewn shut.
no subject
If there is anything at all I can think of, I will say so. These injuries usually heal within seconds, and you can see the flesh trying to do so. There's...something preventing it. So do whatever you determine is appropriate.
[It isn't dramatic to say his life is in her hands. Just accurate.]
no subject
[She's digging in her bag again, looking around for supplies, and eventually finds a steel needle and heavy thread. Chewing the edge of her lip, she surveys the gash in his chest once more, and ventures carefully.]
Tell me what happens when you burn yourself. On a stove, or on something hot. How do you heal yourself from that? Does your body mend beneath the burn and push out the burned portion?
no subject
[Sypha, he's pretty sure this can't get worse. Pretty sure.]
Similar to that. The flesh moves layer by layer, inside out, to put it all to rights. Does that make sense?
no subject
[She draws a deep breath. Lets it out. Seems to center her focus.]
Then what I propose is to cauterize the wound to keep it from bleeding, until I can stitch it closed. Then, with a bandage and your...hospital supply, perhaps that will be enough help for your body to manage on its own.
[She pauses again.]
But I cannot safely touch the wound as it is, from what you have said. So. I will put the spell in your hand, and you —
[...]
I need you to do it to yourself.
no subject
And have him do the actual burning.
It's actually a terrifying concept but it'll have to do. He nods.]
Have you managed to put spells in people's hands before?
no subject
[Setting her needle and thread aside in a clean, protected place a moment, she closes her eyes and shapes her fingers into a steeple. When she pulls them apart again, there is a small, firecoal-glowing ball of fire in her right hand, resting against the palm.]
no subject
[He watches her though. The needle being threaded, the little thing of fire that's there. Alucard's certain that this will either be a medical breakthrough or just send him to the world of unconsciousness. Either is good.]
Tell me when you're ready.
no subject
[Her eyes slide open slowly, measured and calm, revealing blue eyes gone just a little too intense with the whisper of magic. The ball of fire skims through the air, slowly coming to rest against his hand, where oddly it only gives off the barest hint of heat, as though glassed-in by some unseen force.]
Survive, in order to ask me when we are done.
[She nods slightly, and readies herself.]
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