Alucard \\ Adrian F. Ţepeş (
cryptsleeper) wrote2018-11-11 04:32 pm
20s AU Post
Current Carmilla plot outline
--Post-fire, Carmilla and Mr. Peanut team up mostly to use each other. Carmilla's spent the past several months (since November, it is now February 1925) networking, and it's clear to her that Alucard's not suited for the position and that the other two are the obvious weakness. Mr Peanut needs something back, so this is perfect on her end. Mr Peanut can only imagine the joys of vampire blood in his work, and he'd like an army of vampires for his own ends.
--Shit stirring from Mr Peanut (all of March?)
--Mr Peanut also begins to sell mis Miracle Serum, which has vampire blood in it.
--Gang is very much trying to murder Mr Peanut during this.
--Start of April, vampire gets a call from one of the blood bank contacts that 3 patients have come in and are displaying some bizarre signs. Investigation yields the fact that they're in process of turning, and they've all taken the same serum.
--Additional investigation reveals O FUCK IT MR PEANUT
--Meanwhile Carmilla's been made aware of a familiar she didn't sire, so she knows something's up. Big fight with Mr. Peanut and thus Mr. Peanut is left depowered
--Gang commits a murder
--Carmilla's well sured up on her contacts now, and it's time for open rebellion (mid-April)
--In a more subtle attempt to let Alucard just step aside, she cuts the breaks on demon car and shows up to gloat/suggest he not pull a dad and go to deal with his grief quietly while she runs the city. The how he wants to do it is up to him (black widow joke goes here.) Treffy and Sypha walk in.
--1 week of straight up rebellion; feedings, no help from allies, need to do damage control instead of fight carmilla, every dracula rule is
--MEANWHILE IN GRAVITY FALLS, triangle shows Vlad what's up to try and psyche him out, somehow this finalyl snaps Vlad out of his depression and he heads home
--Just in time for Alucard and Carmilla to be tearing each other to bits in one of the bayous, it's not going well
--Vlad coming in means the king of vampires is accosted by a belmont with a pair of blessed knitting needles and a speaker with a fucking gun and he's just like what the shit happened to the world while i was gone
--Wards around the fight means that only demon car can break the wards, everyone has to pile in.
--Carmilla gets her ass kicked AND SENT TO THE JUSTICE DIMENSION
THEN THERE WERE FAERIES.
--Prior to all of this the vampire and Sypha have done a shit ton of research on how to get their Belmont back
--Sypha has also been practicing debating with dad, which leaves everyone Very Tired.
--When Trevor is actually snatched up (1 year after marriage, it takes fae effort. Taking Arn's shape fails, so it's a lot more kidnapping by force), Sypha and Alucard go into Faerie
--But they're playing this as politics, not as heroes rescuing their damsel, so that means the faeries are just "wait what now excuse u?"
--There are 3 gates and 3 trials (the particulars we're still bullshitting.) Each is asked to sacrifice 3 things. (Alucard: voice, his titles as bestowed upon by his father and his people, i forget the third; Sypha: her human form (she's a birb), fuck what were the other two)
--They enter the court at the end of the third trial. After LITERALLY ALL THE TITLES Sypha declares she Speaks for Trevor Belmont
--Claim debate over Trevor, turns out that the rules are in Sypha's favor.
--But that means debating to leave Fae without giving up what they've chosen.
--Sypha lawyers it all out, Alucard is a safety deposit and hangs out with Fae!Trevor
--In the end, safe passage out of Faerie consists of Sypha giving up her memory of the necromancer (billed as a great mage she studied under), the vampire gives up his immortality, and Trevor is replaced with Carmilla (dad was aware of this option and OK with it), but Trevor has his ability to swear taken. He now soundslike a rubber ducky when he tries
--Everyone gets home okay, except for the AU of this AU where the gang fails, but Trevor's on their doorstep like a bat out of Hell because time doesn't work right and he's been in Hell for a WHILE.

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[It's mumbled, absentminded, as she basks in the feeling of his kisses pressed against her skin, and that's why it's only belatedly that it occurs to her she might need to clarify that in order to make herself understood.]
You're afraid to touch me.
[That, too, might not be precisely the right word, but she's drowsing in the feeling of having him close to her, doting on her, and so maybe it's close enough.]
Be gentle with me. But I am not made of glass. You won't make a mistake. I promise.
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Not afraid. Just aware that passions run high.
[He pauses then, resting his forehead into the crook of Sypha's neck. A little weight there, not much. Just enough to be soft and cool and pleasant.]
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[Rumpled, sleepy, bandaged. She's teasing, sort of, but there's a part of her that sort of means it, too.]
Yet still your passions are running high?
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You are here and in my arms. I can think of nothing else so beautiful and all consuming.
[Which also answers her second question, which is yes and he needs to calm the hell down.]
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[That's a deliberate choice of word, boy. She remembers what he looked like when he came down the stairs for her, and he was anything but a boy, then.
Not so bad, perhaps, to remind him that he still can be, with her, if he wants.]
First you call me your goddess, now you write me poetry. Where has all your bashfulness gone?
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He pauses in smothering all he can reach with affection. Pulls back, makes sure they're eye to eye.
(Did her hand ever leave his chest? He doesn't think so, but if not, he'll guide her hand back there. Hold it in place for a moment, then bring it up so he can kiss that same hand like every romantic cliche that plays in the movie theatres.)]
It remains. The stage has simply been given over to something else for the time being.
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[As though she doesn't already know, but that's not the point. The point is to get him to say it. Preferably before he distracts her away from the thought with that soft, fond kiss to her knuckles, like the prince he is yet never claims to be.]
I want to see which word you choose.
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Note that I didn't pick one. [That's a choice, not choosing!]
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[She teases softly, letting the word roll off her tongue like molasses. She shifts, settling against him, and leans to let him support her weight more fully, letting her go boneless and pliant in exchange.]
I want you, too. Very much. But you're right that it's not a good idea.
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Alucard makes a point of ignoring the change in that weight. A week and there's been a change. It'll take more time to fix that fact.
His arms are around her once again, careful of how they press but holding her to him all the same.]
I'll find other outlets for all those emotions in the mean time.
[He's quiet for a moment more, then...]
I could run a bath.
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Will you be able to behave yourself, if you do?
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[It'll be overwhelming enough, if he knows himself.]
And it will be much warmer than me holding you like this.
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[Thus says Sypha, weary and burned-out and yet still the Little Furnace That Could.]
Will you carry me?
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[He wants it to sound shocked and horrified, but it is only warm. Laughing. Delighted.
It means the answer is yes, of course, but the prospect of moving is one they both must consider.]
Sypha, I can promise you your feet will not be touching the floor for some time.
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[But it's nice to have the reassurance, even so.]
Or sore. Or injured, yourself. Or any number of things.
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[More importantly, he nudges Sypha. Gentle. Starting to scoot towards the edge of the bed and taking her with him.]
You will need to let go for a moment.
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[It's stupid, really, to have such an immediate and kneejerk reaction to something as simple as let go for a moment, but even despite the fondness and the calm that have settled around them for the duration, the prospect of losing contact with him for even an instant makes something cold spark in the pit of her stomach, and before she even realizes it her hand is clasped around his arm, unexpectedly tight in its unconscious desperation.]
...I.
[But then it hits her, how ridiculous that is, how foolish she feels. He's here, and he's not going anywhere. Why is she reacting like this, about something so inconsequential?]
...I mean. I...
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The sentiment though, that makes him ache. His arms releasing her, Trevor's arms, this will be the first hurdle to conquer.
He kisses her forehead, all reassurance and coolness trying to calm that desperation. Alucard remembers that terrible feeling, he hated when it overcame him in a wave.]
I understand.
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[She hasn't let go of his arm, but some of the fight is seeping back out of her beneath the reassurance of his kiss. Her fingers loosen just a fraction, even if they don't properly let go altogether.]
That would make one of us who does, I think.
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[You get this. He nuzzles the top of her head, kisses it to try and make it clear that yes, yes this is a part of recovery.]
On this, you can trust me.
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[She doesn't seem altogether sold on the idea, but settles against him nevertheless, more willing to trust Alucard at the moment than she is to put her faith in just about anything else.]
I just...you said that, and I got so scared, without knowing why.
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For Sypha though there is only holding onto her, making it clear that even if he has to stand up for a moment, it will be okay. He will still be here.]
The fear will dissipate in time.
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[Slowly again, she makes her fingers loosen, until she's no longer gripping his arm, but just resting her hand against it. For the moment, that's about as close to an invitation to move away as she seems to be able to get.]
And until then...you'll forgive me?
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What is there to have to forgive?
[Guilt is going to eat at all of them in this aftermath. That much is clear already. Alucard knows it, he's already started, and to see Sypha following after him on that path is sobering.
Her hand can stay where it is. Alucard carefully scoots both of his arms under her (under knees, around her mid-back), then pulls her close. Closer. Closest and then up out of bed entirely, the sheets sloughing off like when snow slides off a tree branch.]
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[And not even left alone. Too scared to lose contact with him for even a second, as though anything could snatch her away in the fraction of an instant between his letting go and his reclaiming her.
But perhaps it doesn't matter much, right now. Now she's scooped up into his arms, carried like a princess up and out of bed in the safety of Alucard's hold.]
I know it's burdensome.
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