[Well, that does take Alucard by surprise. Visibly so, golden eyes widening.]
Of course using a name like that doesn't mean that they're from the ancient days, only that they have knowledge of the language. But if the case is that they are from before the present era, that's unusual even to my ears.
[His response is mildly unnerving. It's not every day someone takes the news of abduction by vampire with calm and aplomb only to be surprised by the Egyptian spin. But she understands - the undead become more powerful with age.]
Very true. Unfortunately there is sufficient evidence to suggestion that this is no modern day impostor. If he is, he believes in an equally ancient legend which he is trying to fulfill.
[Vanessa gives a breathy laugh because there is nothing else to do. The world, her wold is spinning out of control, careening into darkness and there is noting to do except cling to her soul and cry out to God. Except God is so far away.]
Amun-Ra seeks Amunet, the mother of all evil. When they join together they will bring eternal darkness. While the rest of the prophecy isn't spelled out I am assuming that means things for humanity will end poorly.
[For a moment, there's nothing from Alucard. Only careful silence, one that's clearly digesting the information shared but not reacting to it. Then after the quiet, Alucard's eyes meet Vanessa's with a very soft urgency.]
Is this foretold from past sages, or transmitted as future knowledge that the thing is supposedly come to pass?
[A dainty brow furrow as she parses his words. What she's getting stuck on is the difference between the two.]
I apologize, Mr. Tepes I'm not sure I quite understand what you mean. It's, I believe, a warning perhaps? That this is what evil seeks so it may obtain victory, do not let this come to pass.
Mm. There are a tribe of nomadic oral historians that often get lumped in with gypsies. Among themselves and those who know them, they're Speakers, and they carry with them oral histories of the centuries. They also carry prophecies with them, including some that have reached them not from the past, but from the future, transmitted to them through magical means.
[It could be nothing, but Alucard still feels compelled to clarify.]
I want to ensure we're dealing with predictions of the past, not future knowledge.
[It's Vanessa's moment to look surprised. That is not something that she previously considered and it pulls her attention away from the current conversation to lean forward.]
Truly from the future? How far in and how do you know they are true? /[She catches herself, a slight apologetic smile.]
[Sometimes you meet a person and you are helpless to resist their pull, and are immediately pulled into their gravitational field.]
I have heard The British Museum is a supreme treasure trove of knowledge from all corners of the world. Our researcher, Mr. Lyle is an Egyptologist he was the one that read the original hieroglyphics. They were originally found carved into the flesh of one of these undead.
Mm. I've heard the name before, but I don't believe I have ever met the man himself.
[Alucard has lurked the halls of the British Museum before. Perhaps that's not surprising.]
Quite a few. Romanian, including the older form of the language. English, as you can see. French and German. Ancient Greek, Latin, and Egyptian. Turkish as well. Should I keep going?
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We believe that one of his names is Amun-Ra. An ancient name.
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[Well, that does take Alucard by surprise. Visibly so, golden eyes widening.]
Of course using a name like that doesn't mean that they're from the ancient days, only that they have knowledge of the language. But if the case is that they are from before the present era, that's unusual even to my ears.
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Very true. Unfortunately there is sufficient evidence to suggestion that this is no modern day impostor. If he is, he believes in an equally ancient legend which he is trying to fulfill.
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[He says the words with an all too dark undertone, taking no pain to hide it.]
I assume you know the legend.
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[Vanessa gives a breathy laugh because there is nothing else to do. The world, her wold is spinning out of control, careening into darkness and there is noting to do except cling to her soul and cry out to God. Except God is so far away.]
Amun-Ra seeks Amunet, the mother of all evil. When they join together they will bring eternal darkness. While the rest of the prophecy isn't spelled out I am assuming that means things for humanity will end poorly.
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Is this foretold from past sages, or transmitted as future knowledge that the thing is supposedly come to pass?
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I apologize, Mr. Tepes I'm not sure I quite understand what you mean. It's, I believe, a warning perhaps? That this is what evil seeks so it may obtain victory, do not let this come to pass.
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[It could be nothing, but Alucard still feels compelled to clarify.]
I want to ensure we're dealing with predictions of the past, not future knowledge.
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Truly from the future? How far in and how do you know they are true? /[She catches herself, a slight apologetic smile.]
Predictions from the past, yes.
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[There's nothing in Alucard's tone to suggest that he might elaborate on that.]
But we're looking at the past. That to me says that there have been great numbers of attempts before. Has the historic record yielded anything?
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No, not at the moment. Our pool of researches is currently at one, and, thanks to your kindness - another.
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[It's almost rueful. Almost. Alucard folds his arms over his chest and considers all of this.]
Looking there will be far more useful than any other stories I have from Romania, I'm afraid.
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[The broad of her smile can be seen even as she bows her head.]
In Egypt you mean?
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[There is a sheer force of will Vanessa carries with her. That much is clear.]
Mm, I'd begin here before heading that far abroad. Your people seem particularly obsessed with Egypt these days.
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I have heard The British Museum is a supreme treasure trove of knowledge from all corners of the world. Our researcher, Mr. Lyle is an Egyptologist he was the one that read the original hieroglyphics. They were originally found carved into the flesh of one of these undead.
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[Alucard pauses, then clarifies:]
Linguistics are a hobby.
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[There is a fond smile for the man with a sweet heart and amazing hair.]
How many languages do you currently speak?
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[Alucard has lurked the halls of the British Museum before. Perhaps that's not surprising.]
Quite a few. Romanian, including the older form of the language. English, as you can see. French and German. Ancient Greek, Latin, and Egyptian. Turkish as well. Should I keep going?
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[It's an impressive list of languages. Vanessa has heard that Ancient Greek is a particularly difficult language to master.]
No need. [A brief laugh.] Unless you'd like to continue, I don't want to hold you back from your moment to shine.
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[But this all returns to one point that Alucard doesn't want to ask, but knows he must.]
Time is of the essence for such work, but can you set an arbitrary deadline?
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Or do you mean for Mina?
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Although I may have to request at least four days for an appropriate and minimal amount of research.
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[Incoming mildly delicate topic of conversation incoming: compensation.]
We are very happy to repay the generosity of your time as well, Mr. Tepes. You are doing us a great favor.
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[Alucard has no particular need of money, and to charge more than that feels incorrect given the circumstances.]
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[A little tension drains from her shoulders, the dark of her eyes at the conclusion of their business.]
I am indebted to you for aid, Mr. Tepes and the delightful refreshments. They were a wonderful, unexpected treat.
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