cryptsleeper | 20s AU Post

20s AU Post

Current Carmilla plot outline
--Post-fire, Carmilla and Mr. Peanut team up mostly to use each other. Carmilla's spent the past several months (since November, it is now February 1925) networking, and it's clear to her that Alucard's not suited for the position and that the other two are the obvious weakness. Mr Peanut needs something back, so this is perfect on her end. Mr Peanut can only imagine the joys of vampire blood in his work, and he'd like an army of vampires for his own ends.
--Shit stirring from Mr Peanut (all of March?)
--Mr Peanut also begins to sell mis Miracle Serum, which has vampire blood in it.
--Gang is very much trying to murder Mr Peanut during this.
--Start of April, vampire gets a call from one of the blood bank contacts that 3 patients have come in and are displaying some bizarre signs. Investigation yields the fact that they're in process of turning, and they've all taken the same serum.
--Additional investigation reveals O FUCK IT MR PEANUT
--Meanwhile Carmilla's been made aware of a familiar she didn't sire, so she knows something's up. Big fight with Mr. Peanut and thus Mr. Peanut is left depowered
--Gang commits a murder
--Carmilla's well sured up on her contacts now, and it's time for open rebellion (mid-April)
--In a more subtle attempt to let Alucard just step aside, she cuts the breaks on demon car and shows up to gloat/suggest he not pull a dad and go to deal with his grief quietly while she runs the city. The how he wants to do it is up to him (black widow joke goes here.) Treffy and Sypha walk in.
--1 week of straight up rebellion; feedings, no help from allies, need to do damage control instead of fight carmilla, every dracula rule is
--MEANWHILE IN GRAVITY FALLS, triangle shows Vlad what's up to try and psyche him out, somehow this finalyl snaps Vlad out of his depression and he heads home
--Just in time for Alucard and Carmilla to be tearing each other to bits in one of the bayous, it's not going well
--Vlad coming in means the king of vampires is accosted by a belmont with a pair of blessed knitting needles and a speaker with a fucking gun and he's just like what the shit happened to the world while i was gone
--Wards around the fight means that only demon car can break the wards, everyone has to pile in.
--Carmilla gets her ass kicked AND SENT TO THE JUSTICE DIMENSION

THEN THERE WERE FAERIES.
--Prior to all of this the vampire and Sypha have done a shit ton of research on how to get their Belmont back
--Sypha has also been practicing debating with dad, which leaves everyone Very Tired.
--When Trevor is actually snatched up (1 year after marriage, it takes fae effort. Taking Arn's shape fails, so it's a lot more kidnapping by force), Sypha and Alucard go into Faerie
--But they're playing this as politics, not as heroes rescuing their damsel, so that means the faeries are just "wait what now excuse u?"
--There are 3 gates and 3 trials (the particulars we're still bullshitting.) Each is asked to sacrifice 3 things. (Alucard: voice, his titles as bestowed upon by his father and his people, i forget the third; Sypha: her human form (she's a birb), fuck what were the other two)
--They enter the court at the end of the third trial. After LITERALLY ALL THE TITLES Sypha declares she Speaks for Trevor Belmont
--Claim debate over Trevor, turns out that the rules are in Sypha's favor.
--But that means debating to leave Fae without giving up what they've chosen.
--Sypha lawyers it all out, Alucard is a safety deposit and hangs out with Fae!Trevor
--In the end, safe passage out of Faerie consists of Sypha giving up her memory of the necromancer (billed as a great mage she studied under), the vampire gives up his immortality, and Trevor is replaced with Carmilla (dad was aware of this option and OK with it), but Trevor has his ability to swear taken. He now soundslike a rubber ducky when he tries
--Everyone gets home okay, except for the AU of this AU where the gang fails, but Trevor's on their doorstep like a bat out of Hell because time doesn't work right and he's been in Hell for a WHILE.

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Idle thoughts.

[Bullshit.

But it's nice to know she just wanted to hold his hand.]

In lieu of me not having anything to offer, we could walk and get dessert.

[ He doesn't offer the dishes. Instead he reaches out his hand. It hovers above Adrian's. He can't touch him, but he can offer it. ]

If you don't know- humour me?

Keeping secrets, more like.

[But regardless.]

Will it be all right, in the dark? The sun is almost set.

[Alucard pauses just long enough to dry his hands. No one wants wet, cold vampire hands, those are just gross. Once he's satisfied, his fingertips ghost over Trevor's hand. Unsteady and unsure.

It doesn't feel right.

But they're both worried. He knows that.

So his hand goes into Trevor's regardless of how wrong it feels from Alucard's perspecitve.]

Would you rather me straight up ask if you wanted an excuse to hold my hand?

[HE'S JUST SAYING.]

I don't think anyone will mind much at the moment.

[ It's funny, that this of all things would be what feels too intimate. But here they are. Alucard's hand slips into his, dry but cool, all thin, delicate bones, nothing like a claw at all, and his fingers wrap around it. ]

We love you. Both of us. We still love you. And we know that what you have to be is not what you are.

[Alucard doesn't know if Trevor's heard much about the first time he let Sypha into the house. (Not this one. The townhouse in the city itself.) That she made the stupidest fucking excuse to hold his hand (palm reading) and that made the whole world shift. It's a gesture that carries too much meaning. There's more weight to it than just Trevor's hand acting as a tether to humanity.]

I know. Logically, I know.

[But there's no logic in this. There is, however, some richness from Trevor. Who Trevor once was and thought Alucard ought to become.

He lets himself be drawn closer. Still no eye contact, but closer still.]

I cancel any stupid commands I've given in the past week that you're still bound to.

If it was a question you wanted an answer to, then yes, I would hope you would outright ask.

[She pauses a minute, before continuing in a slightly softer tone.]

What I wanted was to surprise you, and to cheer you up. To try to make you smile if I could. Because it's as you said — you haven't, in several days. Smiled.

[She's quiet again.]

What I mean is, I wasn't thinking of myself. It was not my intent to try to make myself happy. The fact that it did was...a pleasant side effect.

I thinkI already have the answer.

[He's not sure how he feels about the answer, but there's a warmth to that knowledge. (He's assigning the side effect, he must be. That's the logical explanation, is it not?

Sypha keeps talking though. He's so quiet, and there's such a soft look on his face when she's done. The knowledge that whatever's happening is mutual is...that feels like as much a blessing as her words are every time they have parted ways so far.]

Sometimes intentions are not known until the thing is done.

[He's thoughtful about too much of this.]

And I'm glad that this won't be the last I see of you.

[ He hasn't. This is - was - simply the only connection that he could manage.

But now it's not. ]

Punch me or something if you want me to stop.

[ He murmurs before pulling Alucard close, arms only around him loosely at first but slowly tightening. ]

[On a better day, he'll share it. For now there's this.

Alucard's not really reacting. He lets himself be pulled closer, but this still feels strange. He's there watching this unfold, outside of himself and the emotions he should be feeling. Usually when there's this much to feel there are tears, not the wall of ice.

The wall of ice is for work, not for them. And yet it remains steady.]

You have only seen me twice.

[...Wait.]

Well, three — no, four.

[In the forest, then that next morning, then earlier today, and now here. Four. Hmm; that's more often than she'd actually thought it had been. Strange.]

Is there someplace to go for dessert that will not mind serving us? Both of us?

You're the only one counting.

[Strange as it is, she's the person he's seen the most of lately, outside of his father.

That's absolutely a thought for later though. For now, dessert.]

Mm. There's a small ice cream place down the street that doesn't close for another few hours.

[And speaking of counting, this will be the third time this evening that Alucard has been treated to this particular expression on Sypha's face — the same flash of sudden, eager interest she'd worn when playing with his end table drawer, and when he'd introduced her to his microwave.]

Really?

[Evidently, he's picked a winner.]

...Can we go like this?

We can go right now if you'd like.

[That face is...it's something. It's alight with curiosity and eagerness, and it looks so right on her. That's not a commentary about magic or intent, just a gut feeling.

He wonders how many times he can be the cause of it in a single evening.]

No, I meant —

[She lifts their hands a little, bringing his up with hers, fingers still entwined as she shows the way that they're still linked to him.]

Like this. Because if not, then we will have a conundrum of who is going to let go first.

...Oh.

[Oh.]

I just need to get my wallet.

[ It's like holding on to a doll. A thing, rather than a person. The coolness of Alucard's body hasn't really bothered him before, but now it only adds to the effect. It's-

-selfish of him. He got what he wanted. He got the effective leader this city needed. And now he wants something else. (Sypha accused him once of wanting Alucard to be more like a Belmont. She was more right than she knew. If he was stronger. If he was prepared for this. If he had the great family surrounding him and making sure that nobody was alone, then maybe this wouldn't be so terrible. But then he wouldn't be himself, and that would be a terrible thing of its own). ]

Adrian.

[ It's all he says, holding Alucard so tightly now what he's liable to bruise one of them if he holds any tighter. As if that should end it. As if giving him permission to stop being Alucard should be enough. Because he's a fucking fairy, and it's a true name. ]

[It is easier to shoulder this as Alucard. A regent cannot flinch or feel guilt or even disgust about dispensing justice. A regent must be even handed in all things, following examples set and keeping order until those who are rightfully in charge return. A regent does not have to worry about morality or examples set within the home, a regent does not fuss about betraying anyone unless it means their own death.

Adrian's the one watching from the inside and screaming about every inch of this horror. He's been buried since coronation. Before that, when he was forced to accept that he was not the only face this vampire had now. Adrian is the one who betrayed everything he was raised to be, and all because what? His father can't handle grief.

He can feel how tight Trevor's grip is. He still can't go beyond just lightly moving his hands to Trevor's side. True names are true names, but what do you do when you aren't sure if you have the right to that true name anymore?]

[ There's a shift. Only a slight one, yes, but Alucard's (Adrian's) hands grazing against his side - the touch is light, but the gesture carries more weight than he's certain he can carry.

(He's hurting him. If not with the force of the embrace then with what he's forcing him through. He knows it. But- sometimes it takes a knife to heal a wound. Sometimes the bone needs to be reset before it can heal.) ]

We love you, Adrian. We still love you.

[ He said it before, and he'd said he understood it logically. Trevor isn't fucking addressing logic right now. He's addressing Adrian. ]

It's...I know. She'd be...

[She is not Sypha. Trevor's likely to figure it out, because she is why any of them are here in the first place.

None of this hurts. Most of the force barely registers. It is terribly hard to articulate anything happening right now. This feels closer to mourning than anything has felt in a long while.]

You're doing this to help people. To keep them safe.

[ He doesn't know a lot about his mother, in all honestly. Everything he does know is through the babas, or from the context of the records, which never mentioned her by name but made perfect record of how Dracula's work shifted drastically away from the castle twenty years ago.

But he probably knows enough. ]

She'd know that you're doing this in service of what she believed in. She'd understand.

[ If there's one thing he knows about- so very well. It's becoming monstrous to protect people from monstrous things. ]

[What sounds is a terrible and hollow laugh. Louder than Alucard's been since he's returned to the castle. His mother would be horrified. Horrified at what his father did, horrified at what her son's been forced to become, all of it would be unacceptable and contradictory to everything this home had come to stand for.

His father was less of a monster for it. He was supposed to be everything but.

He finally leans against Trevor, boneless. Barely hanging on. Just dead weight.

Apt as hell metaphor right now.]

[ He can't pull Alucard closer. He lets his weight pull him down instead, sinking to the ground, his vampire crumpled and hollow and broken in his lap. His arms are still around him, hands reaching up to rub his back, stroke at the ends of his hair, whatever they can manage to do. ]

She would know. And she would still love you.

[ He pulls back, just a little, enough to actually be able to look at Alucard's face for the first time since this began. ]

I'm a fucking Belmont. I know what monsters look like. You're not a monster, Adrian.

Yet.

[This is where those kinds of roads start, after all. A little thing in service of something important. Easier and easier at each time. Ever downward, until there actually is a problem, and by then it's too late. The kind of thing that say, let Bluebeard happen in the first place.

It's easier being anything but Adrian right now. But he can't get away with transforming again, not right now. So it'll have to be on the floor, relying on the words of the last son of the House of Belmont for the stupidest fucking lie to try and get through this.

He looks away. He still can't meet anyone's face right now.]

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20s AU Post

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