I'll try not to spoil you too much.
[ Not that he has a great concept of what 'too much' is. ]
Where do I put you down?
[ Not that he has a great concept of what 'too much' is. ]
Where do I put you down?
We noticed. Forgive us if we're not thrilled about pits full of spikes. Had a couple bad experiences lately.
[ Flatly. Yeah. The traps. That was a thing. He doesn't attack Alucard while his back's turned, but he doesn't return the morning star to his belt. ]
...and neither of us said a word about coming back here being a priority. It wasn't.
[ Is someone projecting, vampire? ]
[ Flatly. Yeah. The traps. That was a thing. He doesn't attack Alucard while his back's turned, but he doesn't return the morning star to his belt. ]
...and neither of us said a word about coming back here being a priority. It wasn't.
[ Is someone projecting, vampire? ]
Down you go.
[ He sets Alucard down carefully before leaving for the water. A few moments and he's back with the bucket. ]
Brought your terrible dark magic.
[ He sets Alucard down carefully before leaving for the water. A few moments and he's back with the bucket. ]
Brought your terrible dark magic.
Or what, you put us on sticks as well?
[ He follows, the morning star dragging across the floor, but still doesn't attack. ]
Or are we special? Will you hang us from the windows maybe? Use us to decorate the hallway? Pull out our organs to have us stuffed with sawdust?
[ He follows, the morning star dragging across the floor, but still doesn't attack. ]
Or are we special? Will you hang us from the windows maybe? Use us to decorate the hallway? Pull out our organs to have us stuffed with sawdust?
Seems like you'd be fucking up your back worse than you'd be helping your feet, that way.
[ Not that he'd know, because there is no uncomfortable sleeping position when you're just a bunch of moths on the wall. ]
I'll go back down to watch her soon, but- there's nothing else I can do, to make it easier?
[ Not that he'd know, because there is no uncomfortable sleeping position when you're just a bunch of moths on the wall. ]
I'll go back down to watch her soon, but- there's nothing else I can do, to make it easier?
No.
[ No. He flicks his wrist again. Not to attack, just to make the chain of the whip ring against the stone. ]
I'm a Belmont, you're a vampire who lives in this castle and puts people on sticks. You know that can only end one of two ways.
[ No. He flicks his wrist again. Not to attack, just to make the chain of the whip ring against the stone. ]
I'm a Belmont, you're a vampire who lives in this castle and puts people on sticks. You know that can only end one of two ways.
[ He lets those fingers linger near his lips and even comes to kiss them a few more times before gently nibbling at the tips of them, letting his tongue brush over cool flesh that cheekily dips between his lips. ]
Well, that depends.
[ To which he gives pause long enough to begin helping the dhampir out of those pants. ]
Did you want something nice and sweet or want to be bent over and fucked like an animal? [ Which- ] And don't make some jackass remark about me fucking animals. Asshole.
[ Yet he still wears a smile even as he says that. ]
Well, that depends.
[ To which he gives pause long enough to begin helping the dhampir out of those pants. ]
Did you want something nice and sweet or want to be bent over and fucked like an animal? [ Which- ] And don't make some jackass remark about me fucking animals. Asshole.
[ Yet he still wears a smile even as he says that. ]
[ Sypha sinks to the ground. Trevor slams the handle of his whip into the wall.
They don't speak. Eventually, Sypha stands. She leaves, because the bodies still need to be dealt with. They bury the bodies, and Sypha performs the rites that the speakers perform for the nameless dead they find along the road.
They're skeletons in fucking nightdresses. It's hard to believe that they posed enough of a threat to warrant this.
Sypha can't bear to reenter the castle. But Trevor? Trevor has hunting to do.
He's ill-prepared for his family's work here, not quite trusting Alucard to run if he so much as tries to go the to hold beneath them for resources. They thought they'd be coming home to a friendly place. He didn't bring half of the shit he needs to win. But he's hurt. He's hurt and Sypha's hurt and-
-they'd thought he wasn't like this.
He said he was going to move the castle, and Trevor vaguely remembers the way to the engine rooms. He doesn't have a plan. Just go there, make a nuisance of himself. Prevent Alucard from working on the engines until he has to fight him. ]
They don't speak. Eventually, Sypha stands. She leaves, because the bodies still need to be dealt with. They bury the bodies, and Sypha performs the rites that the speakers perform for the nameless dead they find along the road.
They're skeletons in fucking nightdresses. It's hard to believe that they posed enough of a threat to warrant this.
Sypha can't bear to reenter the castle. But Trevor? Trevor has hunting to do.
He's ill-prepared for his family's work here, not quite trusting Alucard to run if he so much as tries to go the to hold beneath them for resources. They thought they'd be coming home to a friendly place. He didn't bring half of the shit he needs to win. But he's hurt. He's hurt and Sypha's hurt and-
-they'd thought he wasn't like this.
He said he was going to move the castle, and Trevor vaguely remembers the way to the engine rooms. He doesn't have a plan. Just go there, make a nuisance of himself. Prevent Alucard from working on the engines until he has to fight him. ]
[ She doesn't. But the next day she's awake long enough to take a little solid food. She's groggy enough from painkillers that talking to her is a lost cause, but she can eat and only occasionally refers to Alucard as a beautiful golden sunshine man. As the days go by she becomes more coherent. Her name is Sypha, rather than Plague Lady.
It scares her, being in a strange place in a new country, separated from her people and in pain. Trevor stays with her most of the time, only leaving in the evening briefly on days when things are difficult for Alucard. Sometimes he is in his normal form, often he is moths. But he is there and he weaves.
It's when she's asleep one evening that he comes to sit with Alucard at supper again, laying a few thin cloths on the table. They're finely made but undyed, looking plain enough to anyone who doesn't put an immense amount of effort into studying curtains. ]
I'm- doing bartering.
It scares her, being in a strange place in a new country, separated from her people and in pain. Trevor stays with her most of the time, only leaving in the evening briefly on days when things are difficult for Alucard. Sometimes he is in his normal form, often he is moths. But he is there and he weaves.
It's when she's asleep one evening that he comes to sit with Alucard at supper again, laying a few thin cloths on the table. They're finely made but undyed, looking plain enough to anyone who doesn't put an immense amount of effort into studying curtains. ]
I'm- doing bartering.
[ He thought that he'd attack on sight. He'd need to. Alucard has every possible advantage. And yet he doesn't. He just walks toward Alucard, Alucard in his fortress of books. ]
Why?
[ He wishes his voice didn't become so small. He's not sure when he stopped being angry, when he stopped being a pained thing lashing out. He misses it. Without it, he's just a pained thing. ]
I don't understand.
Why?
[ He wishes his voice didn't become so small. He's not sure when he stopped being angry, when he stopped being a pained thing lashing out. He misses it. Without it, he's just a pained thing. ]
I don't understand.
They're for the windows. To keep sound from passing through them, if they're closed. I thought you'd need to be able to hear the door, though.
[ He folds the cloths, leaving them there. ]
Is that payment enough?
[ He folds the cloths, leaving them there. ]
Is that payment enough?
Seemed poor sport. None of my family had the hold beneath their feet when they came here.
[ It's not an honest answer. Honesty is hard. But he tries again. ]
I don't want to do this. But if you can't make me understand, then I can't leave a pale imitation of Dracula alive.
[ It's not an honest answer. Honesty is hard. But he tries again. ]
I don't want to do this. But if you can't make me understand, then I can't leave a pale imitation of Dracula alive.
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