[Alucard squeaks softly when he first catches that scent, but after that, no more. He's quiet, and against Trevor he is able to warm his tiny bat body against that heat. It feels lovely, although that's hardly the point.
We're here and the bat flutters out, becoming a man in the process. When Alucard lands, he takes a moment to fuss with his hair, if only to ensure the transformation had left everything in place.]
You made do and no one suspected me. That will not last for long anymore, now that I am walking about. My presence will draw their attention by the end of the evening, I hope you know.
[ It’s easy to be beautiful, arranged nicely on a bed of flowers. Anyone could do it. It’s more difficult to be beautiful when rearranging your messed-up hair in a tiny, cramped room on a shifting boat. More impressive. More-
Well, shit. He’ll deal with that thought later. He closes his eyes and sighs. ]
A few hours, then. But a few hours where we’ll actually know who our target is. Better than we had before. Hopefully that’ll let us avoid any more deaths.
There were twenty other people travelling without rooms, like me. [ Sypha begins, because that ‘more’ probably needs clarification. ] Three have been missing since a few hours after we set off. I don’t think anyone else noticed, but I looked for them and-
[ She goes quiet. ]
-Someone’s been hungry. And- really fucking into arts and crafts, by the looks of things. It didn’t look seaworthy yet, so I’m hoping they’re not planning to sink the ship and use it to survive.
[Alucard's blunt about the matter, because he has to be. These are hungry vampires, but the rest of it is...well.]
Let me ask one thing and then propose a quick enough solution. Do you have an idea of what the deck is like in terms of the evening shift? Watchmen, how many of them, where they come and go?
[ He blurts it out before thinking. They woke him up to sense vampires, not to act as bait for them. One thing. He has one thing left of his family and he isn’t going to put it at risk for-
Yeah. It was in the coffin, but we took it out because- [ Because leaning into a coffin to kiss a corpse is awkward enough without having to avoid stabbing oneself. ] -we just took it out. It’s in the crate, with the coffin-
[ And, as if on cue, there’s a distant tugging feeling from the cargo area. Someone is touching the sword. ]
[Alucard tenses suddenly. In a flash, he's at the door, and once it's open, he's a bat. A bat that barrels down the corridors of the ship, knowing exactly where the coffin is because that sword has such a draw to him that it may as well just be a tether.
He doesn't squeak. He just moves swiftly through the boat, aware that he needs to move fast. Very fast.]
[ The last thing he has. The tiny, fragile last thing he has is flying away into a boat they know is dangerous for him. What the fuck. What the fuck. He gives chase, because what else can he do?
That presence is back, growing closer and closer as Alucard approaches the coffin. ]
Fucking figures. The Belmont finally leaves this thing and it’s empty. [ There’s a crash. Glass breaking. ] The fuck am I meant to do with just a sword? I have swords!
[ And when Alucard gets close to where the coffin was, the floor is covered in glass. A red haired man in a uniform stomps on one of the lilies, then spits on it for good measure. ]
[Alucard smells Godbrand before he sees the vampire. It's hard not to, given how distinct the man's natural musk and...everything...is. And so Alucard lands in the doorway, every inch as immortal and youthful as any other vampire. Still Dracula's son, because he manages to project his presence around the room just as Dracula himself might have.
His rage is muted though. Something to bring up only once it must be used.]
Good evening, Godbrand.
[He extends a single hand, and the sword finds it's way there without fail.]
First, Godbrand gives a wet-sounding cough. That body slam alone definitely crushed parts of him that should not be crushed. Then the knife slides between Alucard’s ribs, biting into the flesh there.
Then, Trevor bursts through the door and without missing a beat snatches up one of the boards from the broken crate, advancing on Godbrand. No whip, no problem. ]
[Alucard hisses in pain when the knife slides in, but the proximity to Godbrand is a good thing. He pivots on the knife itself, using his own sword and the awful angle he's on to stab through Godbrand's foot.
It means pinning him to the floor. It means making it hard to escape.]
[ Trevor moves, drawing one of his own knives at well as the board. And then he freezes. He freezes because Godbrand has that knife to Alucard’s throat now.
It’s not long enough to cut off the head in one swipe, he understands distantly. There’s no way Godbrand could be using it, were it consecrated or silver. That is a shitty hostage to take, because even if Godbrand were impossibly lucky, that knife can’t kill him before Trevor can get to them both.
He understands it distantly. He still steps back. ]
The weapons. Drop them.
[ And he does. Godbrand tugs his foot from the sword with a hiss of pain, throwing Alucard off him with a grunt of effort. And then he is gone. In his place, a large frigatebird flies part Trevor and out of the door. ]
[The moment that the knife grazes Alucard's throat, he only has one thought.
They kept me at rest for too long.
He'd have better judgement if he wasn't just awoken. If he had centuries to improve and prepare. Losing a fight against Godbrand? Well that's just sad, and Alucard does what he can to at least put a little pressure on the sword as a private fuck you.
Then Trevor complies and Alucard doesn't know why. Too late. He's in a pile of limbs, the bird flying past them. Alucard tries to follow, trying to run past Trevor.]
[ He’s shaken. He doesn’t know why he’s shaken. That’s the least scary fight with a vampire he’s has in a long time, and yet his legs barely feel like they can hold his weight. His stomach feels similarly uncertain about holding his supper. Alucard pushes past him, and that brings him back to reality somewhat. ]
Yeah. Shit, yeah. Get back here, ugly bird.
[ And he tries, giving chase, throwing knives coming close, but eventually Godbrand passes through a door’s keyhole as mist, vanishing onto the deck. Whatever sensation there was indicating the presence of other vampires, it’s fast vanishing. Trevor leans back against the door, sliding down it with a sigh. ]
[Mist is the moment that Alucard is stymied, and not a moment before. Shifting to a wolf, his great jaws snapped at the bird, almost getting it dragged down once or twice. And yet...
...fuck. Alucard's hand is on the door, and he looks down at Trevor. Worry crosses his face.]
[ Outside of the door, visible through the keyhole, a member of the crew works in the darkness. A thread of white mist is wrapped around his throat, growing more and more transparent as the ugly bird flies away. Another hostage. One he can actually hurt this time. ]
He took some of my blood, Belmont. The knife he had, there was an apparatus attached. I don't know why he'd want it, or what someone like Godbrand could gain from it, which makes me believe he is not working alone. Whoever he is collecting blood for means far greater harm.
[ He tries the door. It opens, and he mumbles something about seasickness to the worker as the last threads of mist pass from around his throat. Nothing. He’s gone. He thanks the man for letting him get fresh air and returns to Alucard. ]
You’re sure it was to take blood from you, not to poison you or some shit?
[ He’s fucked up. He fucked up, letting Godbrand get away. He doesn’t know what to do about that now. All he can do is make control what damage is under his control. ]
[They're on deck at least, and Alucard's eyes lock onto the direction that the bird went. Nothing now. Alucard can't fight in the air, because to plummet into the sea? He'd actually drown, considering he needs air.]
[ He can’t answer that. He just trails off. His body feels like lead, nothing’s managed to scare him this badly in a long time. He counts time by the crashes of waves. It’s six waves later when he just pretends he didn’t hear the question. He has a question of his own. ]
...who are you, that makes your blood so important?
I am Adrian Tepes, once known among the Wallachians as Alucard. My father was Vlad Dracula Tepes.
[It's said with Alucard's eyes on the skies rather than fixed upon Trevor. It is easier speaking of it without looking at Trevor.]
You grew up learning of my father's death, I'm sure. I assisted your late aunts and whoever your grandmother was among them in the matter, at the near cost of my life.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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We're here and the bat flutters out, becoming a man in the process. When Alucard lands, he takes a moment to fuss with his hair, if only to ensure the transformation had left everything in place.]
You made do and no one suspected me. That will not last for long anymore, now that I am walking about. My presence will draw their attention by the end of the evening, I hope you know.
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Well, shit. He’ll deal with that thought later. He closes his eyes and sighs. ]
A few hours, then. But a few hours where we’ll actually know who our target is. Better than we had before. Hopefully that’ll let us avoid any more deaths.
There were twenty other people travelling without rooms, like me. [ Sypha begins, because that ‘more’ probably needs clarification. ] Three have been missing since a few hours after we set off. I don’t think anyone else noticed, but I looked for them and-
[ She goes quiet. ]
-Someone’s been hungry. And- really fucking into arts and crafts, by the looks of things. It didn’t look seaworthy yet, so I’m hoping they’re not planning to sink the ship and use it to survive.
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[Alucard's blunt about the matter, because he has to be. These are hungry vampires, but the rest of it is...well.]
Let me ask one thing and then propose a quick enough solution. Do you have an idea of what the deck is like in terms of the evening shift? Watchmen, how many of them, where they come and go?
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Belmont!
That’s what they are!
[ Sypha huffs and changes the subject, because she is a lot less chill about people being turned into boats. ]
Passengers aren’t allowed above deck, but I’ve watched the doors. At night there are four crew members above deck, not counting the Captain.
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[Only one man is that into People Boats, and Alucard's sort of amazed Godbrand isn't dead either.]
Very well. I will go onto the deck this evening to draw out whoever is present. Can I trust you both to take care of the attacks?
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[ He blurts it out before thinking. They woke him up to sense vampires, not to act as bait for them. One thing. He has one thing left of his family and he isn’t going to put it at risk for-
-Sypha raises an eyebrow at him. ]
-problem. No problem. I can do that.
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But he does have to ask one other question:]
Was there a sword placed in my coffin, or near it?
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[ And, as if on cue, there’s a distant tugging feeling from the cargo area. Someone is touching the sword. ]
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He doesn't squeak. He just moves swiftly through the boat, aware that he needs to move fast. Very fast.]
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[ The last thing he has. The tiny, fragile last thing he has is flying away into a boat they know is dangerous for him. What the fuck. What the fuck. He gives chase, because what else can he do?
That presence is back, growing closer and closer as Alucard approaches the coffin. ]
Fucking figures. The Belmont finally leaves this thing and it’s empty. [ There’s a crash. Glass breaking. ] The fuck am I meant to do with just a sword? I have swords!
[ And when Alucard gets close to where the coffin was, the floor is covered in glass. A red haired man in a uniform stomps on one of the lilies, then spits on it for good measure. ]
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His rage is muted though. Something to bring up only once it must be used.]
Good evening, Godbrand.
[He extends a single hand, and the sword finds it's way there without fail.]
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[ Godbrand looks Alucard up and down, taking a single knife. It’s an odd looking thing, with a glass bulb attached to it. ]
I’d appreciate it if you could stay still, just for a moment.
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[And so Alucard does the only thing that can be done here: dodges left to avoid the knife, and proceeds to bodyslam Godbrand as only a vampire can.]
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First, Godbrand gives a wet-sounding cough. That body slam alone definitely crushed parts of him that should not be crushed. Then the knife slides between Alucard’s ribs, biting into the flesh there.
Then, Trevor bursts through the door and without missing a beat snatches up one of the boards from the broken crate, advancing on Godbrand. No whip, no problem. ]
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It means pinning him to the floor. It means making it hard to escape.]
Belmont!
[Move but fast!]
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It’s not long enough to cut off the head in one swipe, he understands distantly. There’s no way Godbrand could be using it, were it consecrated or silver. That is a shitty hostage to take, because even if Godbrand were impossibly lucky, that knife can’t kill him before Trevor can get to them both.
He understands it distantly. He still steps back. ]
The weapons. Drop them.
[ And he does. Godbrand tugs his foot from the sword with a hiss of pain, throwing Alucard off him with a grunt of effort. And then he is gone. In his place, a large frigatebird flies part Trevor and out of the door. ]
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They kept me at rest for too long.
He'd have better judgement if he wasn't just awoken. If he had centuries to improve and prepare. Losing a fight against Godbrand? Well that's just sad, and Alucard does what he can to at least put a little pressure on the sword as a private fuck you.
Then Trevor complies and Alucard doesn't know why. Too late. He's in a pile of limbs, the bird flying past them. Alucard tries to follow, trying to run past Trevor.]
Come on, that form is perfectly vulnerable!
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Yeah. Shit, yeah. Get back here, ugly bird.
[ And he tries, giving chase, throwing knives coming close, but eventually Godbrand passes through a door’s keyhole as mist, vanishing onto the deck. Whatever sensation there was indicating the presence of other vampires, it’s fast vanishing. Trevor leans back against the door, sliding down it with a sigh. ]
...shit.
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...fuck. Alucard's hand is on the door, and he looks down at Trevor. Worry crosses his face.]
Belmont, is something wrong? We don't have time.
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[ Outside of the door, visible through the keyhole, a member of the crew works in the darkness. A thread of white mist is wrapped around his throat, growing more and more transparent as the ugly bird flies away. Another hostage. One he can actually hurt this time. ]
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He took some of my blood, Belmont. The knife he had, there was an apparatus attached. I don't know why he'd want it, or what someone like Godbrand could gain from it, which makes me believe he is not working alone. Whoever he is collecting blood for means far greater harm.
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[ He tries the door. It opens, and he mumbles something about seasickness to the worker as the last threads of mist pass from around his throat. Nothing. He’s gone. He thanks the man for letting him get fresh air and returns to Alucard. ]
You’re sure it was to take blood from you, not to poison you or some shit?
[ He’s fucked up. He fucked up, letting Godbrand get away. He doesn’t know what to do about that now. All he can do is make control what damage is under his control. ]
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[They're on deck at least, and Alucard's eyes lock onto the direction that the bird went. Nothing now. Alucard can't fight in the air, because to plummet into the sea? He'd actually drown, considering he needs air.]
Why did you do what he said?
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[ He can’t answer that. He just trails off. His body feels like lead, nothing’s managed to scare him this badly in a long time. He counts time by the crashes of waves. It’s six waves later when he just pretends he didn’t hear the question. He has a question of his own. ]
...who are you, that makes your blood so important?
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[It's said with Alucard's eyes on the skies rather than fixed upon Trevor. It is easier speaking of it without looking at Trevor.]
You grew up learning of my father's death, I'm sure. I assisted your late aunts and whoever your grandmother was among them in the matter, at the near cost of my life.
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